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If I were the devil, my strategy to stop someone from being successful would center around subtle manipulation rather than overt interference. The goal would be to create self-imposed obstacles that undermine their progress, leaving them unaware of the true source of their failure. Here’s how:

1. Plant Doubt and Fear • Whisper doubts into their mind: “You’re not good enough” or “What if you fail?” • Amplify fear of risk, so they avoid taking steps outside their comfort zone. • Make them fixate on what could go wrong instead of what could go right.

2. Encourage Procrastination • Distract them with meaningless tasks or entertainment, pulling their focus away from their goals. • Make small delays feel justified until they snowball into complete inaction.

3. Foster Complacency • Convince them that they’ve already achieved enough and there’s no need to strive further. • Make them comfortable with mediocrity.

4. Fuel Comparison and Envy • Make them obsess over other people’s success, leading to feelings of inadequacy. • Distract them from their unique strengths by focusing on what they lack compared to others.

5. Sabotage Relationships • Sow seeds of distrust and resentment in their personal and professional relationships. • Convince them they don’t need anyone else, isolating them from valuable connections.

6. Push Perfectionism • Make them believe their work is never good enough, so they endlessly tweak without finishing anything. • Turn their desire for quality into a roadblock to productivity.

7. Encourage Shortcuts • Tempt them with quick fixes and easy paths that lead to temporary satisfaction but long-term failure. • Promote unethical decisions, which may bring temporary gains but destroy credibility.

8. Feed Impostor Syndrome • Constantly remind them of their past failures and convince them their success is due to luck, not skill. • Make them afraid to take credit for their achievements, diminishing their confidence.

9. Nurture Negative Habits • Promote habits like poor time management, lack of discipline, or unhealthy coping mechanisms. • Encourage addictions or distractions that drain their energy and focus.

10. Distort Their Purpose • Convince them their goals are meaningless or misalign them with superficial desires. • Erode their sense of passion, making their work feel hollow.

By using these psychological tactics, success would feel just out of reach, even though the individual might never realize they were the architect of their own stagnation. The devil wouldn’t need to act directly—just nudge them off course and let their own mind do the rest.

I’ve done model shoots before where it was clear that the model had been using meth—not during the shoot itself, but you could tell they were struggling with addiction. Sometimes, it didn’t even register until I was deep into editing. Meth leaves this awful effect on the skin tone—an unhealthy, blackish-green tint that makes the skin look sickly and dark in the worst way, like a thin layer of death stretching across the surface. It’s subtle but unmistakable, and it demands far more time in post-processing to fix. Correcting it isn’t easy, but it’s not impossible. You can’t just slap on a standard skin tone or color overlay—it’ll end up looking unnatural, often too red or uneven. Instead, it requires delicate, intricate techniques: layering, blending, and balancing different combinations to achieve a realistic, healthy look. The challenge is that every shoot is different—lighting, environment, and the overall vibe of the set all play a part, making it a unique puzzle every time. Fixing this in post is a chore and takes time I’d much rather spend on creative edits. Sadly, I’ve noticed more and more models turning to meth. It’s cheaper than cocaine and helps with weight loss, but the cost to their health and appearance is immense. I’m not here to judge—people make their own choices—but I can’t deny how frustrating it is when I have to spend hours editing skin tones back to normal. These days, I don’t do much model photography anymore. The exceptions are a handful of women I know and trust—beautiful, confident, and thankfully free of that kind of baggage. At least with them, I can focus on creativity rather than damage control.

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”, “commentid”: “666a63175f895f000853576e”, “plaintext”: “Angershade is an independent publication launched in June 2024 by Brian Yegge. If you subscribe today, you'll get full access to the website as well as email newsletters about new content when it's available. Your subscription makes this site possible, and allows Angershade to continue to exist. Thank you!\n\n\nAccess all areas\n\nBy signing up, you'll get access to the full archive of everything that's been published before and everything that's still to come. Your very own private library.\n\n\nFresh content, delivered\n\nStay up to date with new content sent straight to your inbox! No more worrying about whether you missed something because of a pesky algorithm or news feed.\n\n\nMeet people like you\n\nJoin a community of other subscribers who share the same interests.\n\n\nStart your own thing\n\nEnjoying the experience? Get started for free and set up your very own subscription business using Ghost, the same platform that powers this website.“, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “tiers”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-13T03:10:15.000Z”, “updatedat”: “2024-06-14T15:56:18.000Z”, “publishedat”: “2024-06-13T03:10:16.000Z”, “customexcerpt”: null, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666ac9c422df650001173933”, “uuid”: “88f19103-ad30-4e42-9ed8-29c7055f5b30”, “title”: “The Vault”, “slug”: “vault”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “\n\n\n\n”, “commentid”: “666ac9c422df650001173933”, “plaintext”: “\n\n\n\n”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-13T10:28:20.000Z”, “updatedat”: “2024-08-07T03:42:59.000Z”, “publishedat”: “2024-06-16T10:43:02.000Z”, “customexcerpt”: null, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666b26f922df650001173974”, “uuid”: “0a8f4b18-a038-4e81-9fe5-c6b112875aa5”, “title”: “Arete”, “slug”: “arete”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Available on CD & Digital Download\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://angershade.bandcamp.com"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/us/album/arete-ep/1625474482"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/album/5XLyNMS7CbJPWOfTa1phhA"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/playlist?list=OLAK5uymG3ehgNTPF04PFeiAyJXdkqtAIxE-QOA0&si=QtA6sPHvXDQi_MiD\“}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/B6.jpeg\“,\“width\”:1839,\“height\”:1839,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Innersleeve\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“paywall\“,\“version\”:1},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\n\n\n\n\“},{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Available on CD & Digital Download
Apple Music Spotify Youtube Music

\n\n\n\n\n\n\n\n”, “commentid”: “666b26f922df650001173974”, “plaintext”: “Available on CD & Digital Download\nApple Music Spotify Youtube Music\n\n\n\n\n\n\n\n”, “featureimage”: “GHOST_URL/content/images/2024/06/B2-2.jpeg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-13T17:06:01.000Z”, “updatedat”: “2024-06-16T13:04:18.000Z”, “publishedat”: “2019-12-05T00:00:00.000Z”, “customexcerpt”: “EP – Released 12/05/2019”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666b3b0222df6500011739ed”, “uuid”: “31f7d3a5-7233-40ae-bc0a-b5e6d9495471”, “title”: “The Isolation Sessions”, “slug”: “the-isolation-sessions”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Track Listing: (\“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Digital Download & CD\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://angershade.bandcamp.com/album/the-isolation-sessions-special-bonus-ed"},{"detail":0,"format":0,"mode":"normal","style":"","text":")","type":"extended-text","version":1}],"direction":"ltr","format":"","indent":0,"type":"paragraph","version":1},{"children":[{"children":[{"detail":0,"format":0,"mode":"normal","style":"","text":"Isolation (Remastered)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Isolation – The Malefic Possession – Part I – The Changeling\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:2},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Isolation – The Malefic Possession – Part II – The Consummate\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:3},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Isolation – Heroin Hotel\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:4},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Isolation – Live Demo\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:5},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The Sample sessions- 9-30-2018 @ 10.10PM\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:6}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“list\“,\“version\”:1,\“listType\”:\“number\“,\“start\”:1,\“tag\”:\“ol\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”not available via streaming\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”<iframe src=\\“https://play.wavekit.app/embed/audio/03prn7WpJf?type=compactwave&border=false&theme=auto&hideCover=true&transparent=true&lazy=true&accentLight=black&accentDark=white\\” allowtransparency=\\“true\\” style=\\“border: none;\\” width=\\“100%\\” height=\\“120px\\” referrerpolicy=\\“origin\\” title=\\“Wavekit audio player\\” loading=\\“lazy\\“>\n
\n

This is the original track opened up and remastered. This version is exactly how I meant it to be heard when I mixed and mastered in the studio in 2019 only to have the process of distribution and compression fuck it up. In this version the bass surrounds you, instead of being lost and crushed down to an audible, you can feel it in this version. The overdriven sound is allowed to breath, and there is depth in-between with a clear midrange, you can detect the space compared to the original. I\u2019ve gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on just about any system you play it on.

\n
\n
\nISOLATION: THE MALEFIC POSSESSION I & II – These tracks were produced originally to be one complete track.\u00a0even though it flows very smoothly, each half was significantly very different from one another.In an effort to no longer have long intros & \u201cget to the intensity quicker\u201d in my music, I didn\u2019t want make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So I split them\u2026 right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah\u2019s voice samples)\u2026then had to be rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. \u00a0See below the Track Analysis on how they're different musically.
\n\n
\n\n
The definition of \\“Live Demo\\” as it pertains to this particular version is basically me playing live on the keyboard using the sampled vocal sounds with no pre written material, what you are hearing here is me writing the track in real time on a first time run. I almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\nThere is no leveling here of anything... only some compression and limiting to make it even, but what you hear is unprocessed for the most part. This track is 3 minutes & 56 seconds, and that's how long it took to write the track. Even though the final production is 4:14.\nI almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\n\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“embed\“,\“version\”:1,\“url\”:\“https://youtu.be/HGHCkkKJS2o?si=rG9EkSg9V96q7UZP","embedType":"video","html":"\“,\“metadata\”:{\“title\”:\“Isolation (music video)\“,\“authorname\”:\“Angershade\“,\“authorurl\”:\“https://www.youtube.com/@Angershade","type":"video","height":113,"width":200,"version":"1.0","provider_name":"YouTube","provider_url":"https://www.youtube.com/","thumbnail_height":360,"thumbnail_width":480,"thumbnail_url":"https://i.ytimg.com/vi/HGHCkkKJS2o/hqdefault.jpg","html":"\“},\“caption\”:\”\“},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Purchase CD & Digital Download\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://angershade.bandcamp.com/album/the-isolation-sessions-special-bonus-ed"}],"direction":"ltr","format":"","indent":0,"type":"aside","version":1}],"direction":"ltr","format":"","indent":0,"type":"root","version":1}}", “html”: “

Track Listing: (Digital Download & CD)

1. Isolation (Remastered)
2. Isolation – The Malefic Possession – Part I – The Changeling
3. Isolation – The Malefic Possession – Part II – The Consummate
4. Isolation – Heroin Hotel
5. Isolation – Live Demo
6. The Sample sessions- 9-30-2018 @ 10.10PM

not available via streaming

\n\n\n
\n

This is the original track opened up and remastered. This version is exactly how I meant it to be heard when I mixed and mastered in the studio in 2019 only to have the process of distribution and compression fuck it up. In this version the bass surrounds you, instead of being lost and crushed down to an audible, you can feel it in this version. The overdriven sound is allowed to breath, and there is depth in-between with a clear midrange, you can detect the space compared to the original. I\u2019ve gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on just about any system you play it on.

\n
\n
\nISOLATION: THE MALEFIC POSSESSION I & II – These tracks were produced originally to be one complete track.\u00a0even though it flows very smoothly, each half was significantly very different from one another.In an effort to no longer have long intros & \u201cget to the intensity quicker\u201d in my music, I didn\u2019t want make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So I split them\u2026 right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah\u2019s voice samples)\u2026then had to be rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. \u00a0See below the Track Analysis on how they're different musically.
\n\n
\n\n
The definition of \“Live Demo\” as it pertains to this particular version is basically me playing live on the keyboard using the sampled vocal sounds with no pre written material, what you are hearing here is me writing the track in real time on a first time run. I almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\nThere is no leveling here of anything... only some compression and limiting to make it even, but what you hear is unprocessed for the most part. This track is 3 minutes & 56 seconds, and that's how long it took to write the track. Even though the final production is 4:14.\nI almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\n\n\n\n\n\n\n\n\n\n\n

Purchase CD & Digital Download

”, “commentid”: “666b3b0222df6500011739ed”, “plaintext”: “Track Listing: (Digital Download & CD)\n\n 1. Isolation (Remastered)\n 2. Isolation – The Malefic Possession – Part I – The Changeling\n 3. Isolation – The Malefic Possession – Part II – The Consummate\n 4. Isolation – Heroin Hotel\n 5. Isolation – Live Demo\n 6. The Sample sessions- 9-30-2018 @ 10.10PM\n\nnot available via streaming\n\n\n\n\n\n\nThis is the original track opened up and remastered. This version is exactly how I meant it to be heard when I mixed and mastered in the studio in 2019 only to have the process of distribution and compression fuck it up. In this version the bass surrounds you, instead of being lost and crushed down to an audible, you can feel it in this version. The overdriven sound is allowed to breath, and there is depth in-between with a clear midrange, you can detect the space compared to the original. I\u2019ve gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on just about any system you play it on.\n\n\n\n\n\n\nISOLATION: THE MALEFIC POSSESSION I & II – These tracks were produced originally to be one complete track.\u00a0even though it flows very smoothly, each half was significantly very different from one another.In an effort to no longer have long intros & \u201cget to the intensity quicker\u201d in my music, I didn\u2019t want make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So I split them\u2026 right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah\u2019s voice samples)\u2026then had to be rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. \u00a0See below the Track Analysis on how they're different musically.\n\n\n\n\n\n\nThe definition of \“Live Demo\” as it pertains to this particular version is basically me playing live on the keyboard using the sampled vocal sounds with no pre written material, what you are hearing here is me writing the track in real time on a first time run. I almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\nThere is no leveling here of anything... only some compression and limiting to make it even, but what you hear is unprocessed for the most part. This track is 3 minutes & 56 seconds, and that's how long it took to write the track. Even though the final production is 4:14.\nI almost always have the tape rolling when I'm writing because I never know what might come out. This was one of those moments on a cold January afternoon in 2019. After I played what you hear, I realized that was the piece... it's done... the rest was just production.\n\n\n\n\n\n\n\n\n\n\n\n\nPurchase CD & Digital Download”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “tiers”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-13T18:31:30.000Z”, “updatedat”: “2024-08-07T21:04:05.000Z”, “publishedat”: “2022-07-16T11:03:00.000Z”, “customexcerpt”: “RELEASED: 07/16/2022”, “codeinjectionhead”: “\n\n”, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeature_image”: 1 }, { “id”: “666c1a46f61e650001f42d1c”, “uuid”: “d18a6182-e8ad-4607-ba31-b82e8ca032e1”, “title”: “Discography”, “slug”: “discography”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/07/8-5-1.png\“,\“width\”:64,\“height\”:44,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Arete (Remastered)\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/arete-remastered/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/7-1.png\“,\“width\”:64,\“height\”:39,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Arete (Remastered) Limited Edition\“,\“cardWidth\”:\“wide\“,\“href\”:\“angershade.com/arete-remastered-limited-ed/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/6-3-1.png\“,\“width\”:64,\“height\”:40,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”The Isolation Sessions\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/isolation-sessions/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/5-1.png\“,\“width\”:64,\“height\”:41,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”The Envy Session\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/the-envy-sessions/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/4-1.png\“,\“width\”:64,\“height\”:43,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”The Hex Sessions\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/the-hex-sessions/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/3-1-1.png\“,\“width\”:64,\“height\”:52,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Hex (Prognosticator Mix)\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/2-1.png\“,\“width\”:64,\“height\”:44,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Arete\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/arete/\“},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/1-1.png\“,\“width\”:64,\“height\”:40,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Glock\“,\“cardWidth\”:\“regular\“,\“href\”:\”GHOST_URL/glock\“},{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

”, “commentid”: “666c1a46f61e650001f42d1c”, “plaintext”: null, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-14T10:24:06.000Z”, “updatedat”: “2024-07-31T17:57:05.000Z”, “publishedat”: “2024-06-16T10:41:26.000Z”, “customexcerpt”: “Plublished music”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 0 }, { “id”: “666c6beff61e650001f42db1”, “uuid”: “786be70b-8caf-48b7-bbd7-7ef8b8c5a2b5”, “title”: “The Isolation Sessions”, “slug”: “isolation-sessions”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Available on CD & Digital Download\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://angershade.bandcamp.com/album/the-isolation-sessions-special-bonus-ed"}],"direction":"ltr","format":"","indent":0,"type":"paragraph","version":1},{"children":[{"detail":0,"format":1,"mode":"normal","style":"","text":"NOT A PLEASURE\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h2\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“THE RELEASES WITHIN THIS SERIES, UNTIL NOW, HAVE PRIMARILY CONSISTED OF REVISITED AND REMASTERED MATERIALS, ALL OF WHICH WERE ORIGINALLY CONCEIVED DURING THE SESSION RECORDINGS OF \\“ARETE.\\” HOWEVER, \\“ISOLATION\\” DEVIATES FROM THIS PATTERN, HAVING NOT ORIGINATED FROM THE SAME PERIOD OF INTENSIVE CREATION AND REFINEMENT. SURPRISINGLY, IT EMERGED AS THE COLLECTION'S MOST ESTEEMED COMPOSITION. THE ENTIRE PROCESS OF COMPOSING, MIXING, MASTERING, AND PRODUCING \\“ISOLATION\\” DEMANDED A MERE 35 HOURS-A STARK CONTRAST TO THE MONTHS OF DEDICATION AFFORDED TO ITS COUNTERPARTS. THIS TRACK STANDS OUT AS ONE OF THE RARE INSTANCES WHERE I REFRAINED FROM EXPLORING ALTERNATIVE INTERPRETATIONS, RESULTING IN THE ABSENCE OF \\“ISOLATION SESSIONS.\\” THE \\“LIVE DEMO,\\” PERFORMED IN JANUARY 2019, MARKS THE GENESIS OF THE TRACK, CAPTURING THE SONG'S CREATION IN AN IMMEDIATE AND RAW FORM. IT WASN'T UNTIL MAY OF 2021 THAT WORK ON REINTERPRETATIONS COMMENCED, PROMPTED BY THE PRECEDING YEAR'S CHALLENGING CIRCUMSTANCES. THE CREATION OF THIS PIECE WAS NOT A LABOR OF LOVE; THE HARSH, DISCORDANT STRINGS AND THE ABRASIVE SOUNDS OF SCRATCHING VIOLAS AND VIOLINS ENCAPSULATE MY FRUSTRATION AND RESENTMENT TOWARDS THE NECESSITY OF ITS COMPLETION RATHER THAN A GENUINE EXPRESSION OF MUSICAL INNOVATION. IT IS MY HOPE THAT THESE COMPOSITIONS WILL RESONATE WITH YOU AND BE RECEIVED WITH A GREATER DEGREE OF APPRECIATION THAN WAS EXPERIENCED IN THEIR PRODUCTION.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“paywall\“,\“version\”:1},{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Available on CD & Digital Download

NOT A PLEASURE

THE RELEASES WITHIN THIS SERIES, UNTIL NOW, HAVE PRIMARILY CONSISTED OF REVISITED AND REMASTERED MATERIALS, ALL OF WHICH WERE ORIGINALLY CONCEIVED DURING THE SESSION RECORDINGS OF \“ARETE.\” HOWEVER, \“ISOLATION\” DEVIATES FROM THIS PATTERN, HAVING NOT ORIGINATED FROM THE SAME PERIOD OF INTENSIVE CREATION AND REFINEMENT. SURPRISINGLY, IT EMERGED AS THE COLLECTION'S MOST ESTEEMED COMPOSITION. THE ENTIRE PROCESS OF COMPOSING, MIXING, MASTERING, AND PRODUCING \“ISOLATION\” DEMANDED A MERE 35 HOURS-A STARK CONTRAST TO THE MONTHS OF DEDICATION AFFORDED TO ITS COUNTERPARTS. THIS TRACK STANDS OUT AS ONE OF THE RARE INSTANCES WHERE I REFRAINED FROM EXPLORING ALTERNATIVE INTERPRETATIONS, RESULTING IN THE ABSENCE OF \“ISOLATION SESSIONS.\” THE \“LIVE DEMO,\” PERFORMED IN JANUARY 2019, MARKS THE GENESIS OF THE TRACK, CAPTURING THE SONG'S CREATION IN AN IMMEDIATE AND RAW FORM. IT WASN'T UNTIL MAY OF 2021 THAT WORK ON REINTERPRETATIONS COMMENCED, PROMPTED BY THE PRECEDING YEAR'S CHALLENGING CIRCUMSTANCES. THE CREATION OF THIS PIECE WAS NOT A LABOR OF LOVE; THE HARSH, DISCORDANT STRINGS AND THE ABRASIVE SOUNDS OF SCRATCHING VIOLAS AND VIOLINS ENCAPSULATE MY FRUSTRATION AND RESENTMENT TOWARDS THE NECESSITY OF ITS COMPLETION RATHER THAN A GENUINE EXPRESSION OF MUSICAL INNOVATION. IT IS MY HOPE THAT THESE COMPOSITIONS WILL RESONATE WITH YOU AND BE RECEIVED WITH A GREATER DEGREE OF APPRECIATION THAN WAS EXPERIENCED IN THEIR PRODUCTION.

”, “commentid”: “666c6beff61e650001f42db1”, “plaintext”: “Available on CD & Digital Download\n\n\nNOT A PLEASURE\n\nTHE RELEASES WITHIN THIS SERIES, UNTIL NOW, HAVE PRIMARILY CONSISTED OF REVISITED AND REMASTERED MATERIALS, ALL OF WHICH WERE ORIGINALLY CONCEIVED DURING THE SESSION RECORDINGS OF \“ARETE.\” HOWEVER, \“ISOLATION\” DEVIATES FROM THIS PATTERN, HAVING NOT ORIGINATED FROM THE SAME PERIOD OF INTENSIVE CREATION AND REFINEMENT. SURPRISINGLY, IT EMERGED AS THE COLLECTION'S MOST ESTEEMED COMPOSITION. THE ENTIRE PROCESS OF COMPOSING, MIXING, MASTERING, AND PRODUCING \“ISOLATION\” DEMANDED A MERE 35 HOURS-A STARK CONTRAST TO THE MONTHS OF DEDICATION AFFORDED TO ITS COUNTERPARTS. THIS TRACK STANDS OUT AS ONE OF THE RARE INSTANCES WHERE I REFRAINED FROM EXPLORING ALTERNATIVE INTERPRETATIONS, RESULTING IN THE ABSENCE OF \“ISOLATION SESSIONS.\” THE \“LIVE DEMO,\” PERFORMED IN JANUARY 2019, MARKS THE GENESIS OF THE TRACK, CAPTURING THE SONG'S CREATION IN AN IMMEDIATE AND RAW FORM. IT WASN'T UNTIL MAY OF 2021 THAT WORK ON REINTERPRETATIONS COMMENCED, PROMPTED BY THE PRECEDING YEAR'S CHALLENGING CIRCUMSTANCES. THE CREATION OF THIS PIECE WAS NOT A LABOR OF LOVE; THE HARSH, DISCORDANT STRINGS AND THE ABRASIVE SOUNDS OF SCRATCHING VIOLAS AND VIOLINS ENCAPSULATE MY FRUSTRATION AND RESENTMENT TOWARDS THE NECESSITY OF ITS COMPLETION RATHER THAN A GENUINE EXPRESSION OF MUSICAL INNOVATION. IT IS MY HOPE THAT THESE COMPOSITIONS WILL RESONATE WITH YOU AND BE RECEIVED WITH A GREATER DEGREE OF APPRECIATION THAN WAS EXPERIENCED IN THEIR PRODUCTION.\n\n”, “feature_image”: “GHOST_URL/content/images/2024/06/VINYL-FULL.jpg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-14T16:12:31.000Z”, “updatedat”: “2024-08-07T21:00:41.000Z”, “publishedat”: “2022-07-19T00:00:00.000Z”, “customexcerpt”: “EP – Released 07/19/2022”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666ca316f61e650001f42e4b”, “uuid”: “6665ec22-29d2-4fe2-bd84-87bc184a3277”, “title”: “UPDATE: Generative A.I. in music | New Album? | Rebrand? | Garbage Cover Complete | Relocating”, “slug”: “update-generative-a-i-angershade-new-music”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Generative A.I. in Music & Angershade\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h2\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“I have received inquiries regarding the role of generative AI in music production. I foresee a future where AI augments human creativity, but it cannot supersede the need for human ingenuity independently.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“In fact, during the production of my previous album \u2018Arete,\u2019 AI technology already played a significant role, particularly in the drum programming aspects, although it was not referred to as \u2018AI\u2019 at that time as the term did not hold the same contemporary connotations. It is important to understand that AI is a tool, an assistant that requires human instruction and interaction to generate any meaningful output.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Angershade has always been an endeavor dedicated to exploring unconventional approaches to sound design, musical composition, production, and engineering methodologies. Therefore, it aligns with the project\u2019s core ethos to embrace AI as a supplementary creative resource.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The term \u2018AI\u2019 is often misconstrued as a fully autonomous, creative, and in some cases, potentially destructive force. In reality, AI is an advanced search and data synthesization technology. AI cannot independently generate artistic works that encapsulate the profound emotional depth and nuanced life experiences that shape a human\u2019s creative essence. An artificial system fundamentally lacks the intrinsic qualities that define biological existence. Without human input and direction, AI remains merely a sophisticated software program, akin to the ones operating on our computers \u2013 capable of providing a foundation, but requiring human refinement to uncover true artistic resonance.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The extent to which I will incorporate AI into future Angershade productions remains undetermined and may not be explicitly disclosed, as I do not foresee it being of substantial interest to audiences. However, I am open to the possibility of initiating a separate project that fully harnesses AI\u2019s capabilities in previously unimagined ways. If such a venture manifests, it will operate under a pseudonym, entirely disassociated from Angershade, \u2117 Yegge, or the official website. This hypothetical project could potentially already be a beloved or disliked musical act, or an entirely novel creative endeavor \u2013 its connection to my involvement would remain unbeknownst to listeners.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“New Album\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h2\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“To my very loyal VIPs that I've been teasing and who have all been listening, your feedback has been great. I'm exploring depths of the rabbit hole that is my mind and there is a lot of darkness down there. To those not on the list sorry, but I've reigned it all back in and the vault is locked up... for now.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“There are plans for another Angershade album, and possibly a rebrand of the name, however it will not be anytime soon. A full length release or even an extended release has to be right with the proper sacrifices in place. I don't just go into it first note and all saying \\“I'm going to make another album\\” it doesn't work that way, I just write, and continue to write until I feel I have a good flowing collection of tracks that I can put in a specific order packaging it as an album. Then the production starts, session recording, artwork, mastering etc. and is unveiled once it reaches a level of satisfaction that warrants sharing with audiences worldwide.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Garbage Cover \\“I'm Only Happy When It Rains\\”\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h2\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“I just got done laying down vocal tracks with a lovely woman from my days of model photography. We ironically laid the tracks down as Houston was being hit hard by hurricane beryl late into a Sunday night as everyone around us was losing power, we never did. With this track I did the music around the vocal track, a very foreign concept to me as that's usually the last track you record. She sang to just a simple bass line I played but never intended to use in the final production, and the final production is a very short and dark version of the song. I'm hoping to release it as an SP (Single Play) soon. I'm in the process of obtaining the rights to do so. So look out for that, however for now \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“go hear the original\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://youtu.be/0jkyw0dZMsY?si=P7epYRqhnHcYcQO\“},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Relocation\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h2\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“I'm in the process of moving the studio to another location, that should be done by the beginning of next year. I've had a lot of memories in the currently location but it's time to bid farewell to this community and start fresh somewhere new. Location will remain undisclosed for now, but I will eventually reveal.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“That is all for now, I mean seriously that was a lot what more do you want. ;)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Generative A.I. in Music & Angershade

I have received inquiries regarding the role of generative AI in music production. I foresee a future where AI augments human creativity, but it cannot supersede the need for human ingenuity independently.

In fact, during the production of my previous album \u2018Arete,\u2019 AI technology already played a significant role, particularly in the drum programming aspects, although it was not referred to as \u2018AI\u2019 at that time as the term did not hold the same contemporary connotations. It is important to understand that AI is a tool, an assistant that requires human instruction and interaction to generate any meaningful output.

Angershade has always been an endeavor dedicated to exploring unconventional approaches to sound design, musical composition, production, and engineering methodologies. Therefore, it aligns with the project\u2019s core ethos to embrace AI as a supplementary creative resource.

The term \u2018AI\u2019 is often misconstrued as a fully autonomous, creative, and in some cases, potentially destructive force. In reality, AI is an advanced search and data synthesization technology. AI cannot independently generate artistic works that encapsulate the profound emotional depth and nuanced life experiences that shape a human\u2019s creative essence. An artificial system fundamentally lacks the intrinsic qualities that define biological existence. Without human input and direction, AI remains merely a sophisticated software program, akin to the ones operating on our computers \u2013 capable of providing a foundation, but requiring human refinement to uncover true artistic resonance.

The extent to which I will incorporate AI into future Angershade productions remains undetermined and may not be explicitly disclosed, as I do not foresee it being of substantial interest to audiences. However, I am open to the possibility of initiating a separate project that fully harnesses AI\u2019s capabilities in previously unimagined ways. If such a venture manifests, it will operate under a pseudonym, entirely disassociated from Angershade, \u2117 Yegge, or the official website. This hypothetical project could potentially already be a beloved or disliked musical act, or an entirely novel creative endeavor \u2013 its connection to my involvement would remain unbeknownst to listeners.

New Album

To my very loyal VIPs that I've been teasing and who have all been listening, your feedback has been great. I'm exploring depths of the rabbit hole that is my mind and there is a lot of darkness down there. To those not on the list sorry, but I've reigned it all back in and the vault is locked up... for now.

There are plans for another Angershade album, and possibly a rebrand of the name, however it will not be anytime soon. A full length release or even an extended release has to be right with the proper sacrifices in place. I don't just go into it first note and all saying \“I'm going to make another album\” it doesn't work that way, I just write, and continue to write until I feel I have a good flowing collection of tracks that I can put in a specific order packaging it as an album. Then the production starts, session recording, artwork, mastering etc. and is unveiled once it reaches a level of satisfaction that warrants sharing with audiences worldwide.

Garbage Cover \“I'm Only Happy When It Rains\”

I just got done laying down vocal tracks with a lovely woman from my days of model photography. We ironically laid the tracks down as Houston was being hit hard by hurricane beryl late into a Sunday night as everyone around us was losing power, we never did. With this track I did the music around the vocal track, a very foreign concept to me as that's usually the last track you record. She sang to just a simple bass line I played but never intended to use in the final production, and the final production is a very short and dark version of the song. I'm hoping to release it as an SP (Single Play) soon. I'm in the process of obtaining the rights to do so. So look out for that, however for now go hear the original.

Relocation

I'm in the process of moving the studio to another location, that should be done by the beginning of next year. I've had a lot of memories in the currently location but it's time to bid farewell to this community and start fresh somewhere new. Location will remain undisclosed for now, but I will eventually reveal.

That is all for now, I mean seriously that was a lot what more do you want. ;)

”, “commentid”: “666ca316f61e650001f42e4b”, “plaintext”: “Generative A.I. in Music & Angershade\n\nI have received inquiries regarding the role of generative AI in music production. I foresee a future where AI augments human creativity, but it cannot supersede the need for human ingenuity independently.\n\nIn fact, during the production of my previous album \u2018Arete,\u2019 AI technology already played a significant role, particularly in the drum programming aspects, although it was not referred to as \u2018AI\u2019 at that time as the term did not hold the same contemporary connotations. It is important to understand that AI is a tool, an assistant that requires human instruction and interaction to generate any meaningful output.\n\nAngershade has always been an endeavor dedicated to exploring unconventional approaches to sound design, musical composition, production, and engineering methodologies. Therefore, it aligns with the project\u2019s core ethos to embrace AI as a supplementary creative resource.\n\nThe term \u2018AI\u2019 is often misconstrued as a fully autonomous, creative, and in some cases, potentially destructive force. In reality, AI is an advanced search and data synthesization technology. AI cannot independently generate artistic works that encapsulate the profound emotional depth and nuanced life experiences that shape a human\u2019s creative essence. An artificial system fundamentally lacks the intrinsic qualities that define biological existence. Without human input and direction, AI remains merely a sophisticated software program, akin to the ones operating on our computers \u2013 capable of providing a foundation, but requiring human refinement to uncover true artistic resonance.\n\nThe extent to which I will incorporate AI into future Angershade productions remains undetermined and may not be explicitly disclosed, as I do not foresee it being of substantial interest to audiences. However, I am open to the possibility of initiating a separate project that fully harnesses AI\u2019s capabilities in previously unimagined ways. If such a venture manifests, it will operate under a pseudonym, entirely disassociated from Angershade, \u2117 Yegge, or the official website. This hypothetical project could potentially already be a beloved or disliked musical act, or an entirely novel creative endeavor \u2013 its connection to my involvement would remain unbeknownst to listeners.\n\n\nNew Album\n\nTo my very loyal VIPs that I've been teasing and who have all been listening, your feedback has been great. I'm exploring depths of the rabbit hole that is my mind and there is a lot of darkness down there. To those not on the list sorry, but I've reigned it all back in and the vault is locked up... for now.\n\nThere are plans for another Angershade album, and possibly a rebrand of the name, however it will not be anytime soon. A full length release or even an extended release has to be right with the proper sacrifices in place. I don't just go into it first note and all saying \“I'm going to make another album\” it doesn't work that way, I just write, and continue to write until I feel I have a good flowing collection of tracks that I can put in a specific order packaging it as an album. Then the production starts, session recording, artwork, mastering etc. and is unveiled once it reaches a level of satisfaction that warrants sharing with audiences worldwide.\n\n\nGarbage Cover \“I'm Only Happy When It Rains\”\n\nI just got done laying down vocal tracks with a lovely woman from my days of model photography. We ironically laid the tracks down as Houston was being hit hard by hurricane beryl late into a Sunday night as everyone around us was losing power, we never did. With this track I did the music around the vocal track, a very foreign concept to me as that's usually the last track you record. She sang to just a simple bass line I played but never intended to use in the final production, and the final production is a very short and dark version of the song. I'm hoping to release it as an SP (Single Play) soon. I'm in the process of obtaining the rights to do so. So look out for that, however for now go hear the original.\n\n\nRelocation\n\nI'm in the process of moving the studio to another location, that should be done by the beginning of next year. I've had a lot of memories in the currently location but it's time to bid farewell to this community and start fresh somewhere new. Location will remain undisclosed for now, but I will eventually reveal.\n\n\n\nThat is all for now, I mean seriously that was a lot what more do you want. ;)“, “featureimage”: null, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-14T20:07:50.000Z”, “updatedat”: “2024-07-31T18:38:14.000Z”, “publishedat”: “2024-07-31T17:34:42.000Z”, “customexcerpt”: “It's been a bit... and I know, I've been ignoring my email, but only because I have been quite busy. Let's catch up my friends... shall we?”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: “66843223c2529e0001a6daa5”, “showtitleandfeatureimage”: 1 }, { “id”: “666dccebf61e650001f42e87”, “uuid”: “29fcb280-0ad1-416b-99fe-b9ae507863e4”, “title”: “Arete”, “slug”: “arete-ep”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”I. Adept (5:54)\“,\“content\”:null},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”\uf8ff Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/album/1568439825?i=1625474483"},{"detail":0,"format":0,"mode":"normal","style":"","text":" – \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“SPOTIFY\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/track/4poAjOCOTLhYyfHNEUCDR7"},{"detail":0,"format":0,"mode":"normal","style":"","text":" – \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/watch?v=AqLHW2AffrA&si=nZbxrh59U8hbfrG4"},{"type":"linebreak","version":1},{"detail":0,"format":1,"mode":"normal","style":"","text":"Adept","type":"extended-text","version":1},{"detail":0,"format":0,"mode":"normal","style":"","text":" is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Acousticness: 0% – Track isn't acoustic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Danceability: 52% – Track is good for dancing\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Instrumentalness: 85% – Likely is instrumental\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Energy: 70% – Track is energetic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Speechiness 4% – Probably doesn't contain talking\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Liveness: 11% – Track was recorded in a studio (not live)\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Valence: 5% – Vibe is sad, depressed, and/or angry\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”II. Hex (3:39)\“,\“content\”:null},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/album/1568439825?i=1625474484"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/track/3BEEUgg55MULZMXCLmBT64"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/watch?v=RQOV14gHSK4&si=We-u9vyUCgj4Hzi\“},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex\“,\“type\”:\“extended-text\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\” is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm.\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Acousticness: 0% – Track isn't acoustic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Danceability: 50% – Track is good for dancing\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Instrumentalness: 82% – Likely is instrumental\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Energy: 65% – Track is energetic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Speechiness 3% – Probably doesn't contain talking\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Liveness: 9% – Track was recorded in a studio (not live)\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Valence: 24% – Vibe is sad, depressed, and/or angry\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”III. Envy (2:34)\“,\“content\”:null},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/album/1568439825?i=1625474485"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/track/3xmWWki66P514jFJIzOFWx"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/watch?v=_O3MtIGRfNA&si=NX5xf_yxwurvKp-A"},{"type":"linebreak","version":1},{"detail":0,"format":1,"mode":"normal","style":"","text":"Envy","type":"extended-text","version":1},{"detail":0,"format":0,"mode":"normal","style":"","text":" is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm.\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Acousticness: 0% – Track isn't acoustic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Danceability: 57% – Track is good for dancing\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Instrumentalness: 81% – Likely is instrumental\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Energy: 51% – Track is energetic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Speechiness 3% – Probably doesn't contain talking\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Liveness: 14% – Track was recorded in a studio (not live)\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Valence: 29% – Vibe is sad, depressed, and/or angry\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”IV. Isolation\“,\“content\”:null},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/album/1568439825?i=1625474486"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/track/2bGQJb0hz8aJZw7mhhw7XG"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/watch?v=BkD7y94XYl8&si=X4B3iZFwIw5j4Kwp"}],"direction":"ltr","format":"","indent":0,"type":"paragraph","version":1},{"children":[{"detail":0,"format":1,"mode":"normal","style":"","text":"Isolation","type":"extended-text","version":1},{"detail":0,"format":0,"mode":"normal","style":"","text":" is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm.\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Acousticness: 0% – Track isn't acoustic\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Danceability: 16% – Track isn't good for dancing\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Instrumentalness: 71% – Likely is instrumental\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Energy: 25% – Track is on the mellow side\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Speechiness 4% – Probably doesn't contain talking\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Liveness: 18% – Track was recorded in a studio (not live)\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Valence: 4% – Vibe is sad, depressed, and/or angry\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”V. Envy (Reinterpreted)\“,\“content\”:null},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/album/1568439825?i=1625474487"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/track/4XPIiTPcTo1R34V4LvAavP"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/watch?v=YCrS2ePKoUM&si=wemh3GyNCX-so39L"}],"direction":"ltr","format":"","indent":0,"type":"paragraph","version":1},{"children":[{"detail":0,"format":1,"mode":"normal","style":"","text":"Envy (Reinterpreted)\“,\“type\”:\“extended-text\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\” is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. 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\uf8ff Music – SPOTIFY – Youtube Music
Adept is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm.

Acousticness: 0% – Track isn't acoustic
Danceability: 52% – Track is good for dancing
Instrumentalness: 85% – Likely is instrumental
Energy: 70% – Track is energetic
Speechiness 4% – Probably doesn't contain talking
Liveness: 11% – Track was recorded in a studio (not live)
Valence: 5% – Vibe is sad, depressed, and/or angry

Apple Music Spotify Youtube Music
Hex is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm.
Acousticness: 0% – Track isn't acoustic
Danceability: 50% – Track is good for dancing
Instrumentalness: 82% – Likely is instrumental
Energy: 65% – Track is energetic
Speechiness 3% – Probably doesn't contain talking
Liveness: 9% – Track was recorded in a studio (not live)
Valence: 24% – Vibe is sad, depressed, and/or angry

Apple Music Spotify Youtube Music
Envy is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm.
Acousticness: 0% – Track isn't acoustic
Danceability: 57% – Track is good for dancing
Instrumentalness: 81% – Likely is instrumental
Energy: 51% – Track is energetic
Speechiness 3% – Probably doesn't contain talking
Liveness: 14% – Track was recorded in a studio (not live)
Valence: 29% – Vibe is sad, depressed, and/or angry

Apple Music Spotify Youtube Music

Isolation is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm.
Acousticness: 0% – Track isn't acoustic
Danceability: 16% – Track isn't good for dancing
Instrumentalness: 71% – Likely is instrumental
Energy: 25% – Track is on the mellow side
Speechiness 4% – Probably doesn't contain talking
Liveness: 18% – Track was recorded in a studio (not live)
Valence: 4% – Vibe is sad, depressed, and/or angry

Apple Music Spotify Youtube Music

Envy (Reinterpreted) is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -17.83 db and the tempo is around 112.10 bpm.
Acousticness: 0% – Track isn't acoustic
Danceability: 46% – Track isn't good for dancing
Instrumentalness: 80% – Likely is instrumental
Energy: 31% – Track is on the mellow side
Speechiness 3% – Probably doesn't contain talking
Liveness: 13% – Track was recorded in a studio (not live)
Valence: 14% – Vibe is sad, depressed, and/or angry

---

”, “commentid”: “666dccebf61e650001f42e87”, “plaintext”: “\n\n\n\nI. Adept (5:54)\n\n\n\n\n\n\n\n\n\n\uf8ff Music – SPOTIFY – Youtube Music\nAdept is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm.\n\nAcousticness: 0% – Track isn't acoustic\nDanceability: 52% – Track is good for dancing\nInstrumentalness: 85% – Likely is instrumental\nEnergy: 70% – Track is energetic\nSpeechiness 4% – Probably doesn't contain talking\nLiveness: 11% – Track was recorded in a studio (not live)\nValence: 5% – Vibe is sad, depressed, and/or angry\n\n\n\nII. Hex (3:39)\n\n\n\n\n\n\n\n\n\nApple Music Spotify Youtube Music\nHex is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm.\nAcousticness: 0% – Track isn't acoustic\nDanceability: 50% – Track is good for dancing\nInstrumentalness: 82% – Likely is instrumental\nEnergy: 65% – Track is energetic\nSpeechiness 3% – Probably doesn't contain talking\nLiveness: 9% – Track was recorded in a studio (not live)\nValence: 24% – Vibe is sad, depressed, and/or angry\n\n\n\nIII. Envy (2:34)\n\n\n\n\n\n\n\n\n\nApple Music Spotify Youtube Music\nEnvy is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm.\nAcousticness: 0% – Track isn't acoustic\nDanceability: 57% – Track is good for dancing\nInstrumentalness: 81% – Likely is instrumental\nEnergy: 51% – Track is energetic\nSpeechiness 3% – Probably doesn't contain talking\nLiveness: 14% – Track was recorded in a studio (not live)\nValence: 29% – Vibe is sad, depressed, and/or angry\n\n\n\nIV. Isolation\n\n\n\n\n\n\n\n\n\nApple Music Spotify Youtube Music\n\nIsolation is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm.\nAcousticness: 0% – Track isn't acoustic\nDanceability: 16% – Track isn't good for dancing\nInstrumentalness: 71% – Likely is instrumental\nEnergy: 25% – Track is on the mellow side\nSpeechiness 4% – Probably doesn't contain talking\nLiveness: 18% – Track was recorded in a studio (not live)\nValence: 4% – Vibe is sad, depressed, and/or angry\n\n\n\nV. Envy (Reinterpreted)\n\n\n\n\n\n\n\n\n\nApple Music Spotify Youtube Music\n\nEnvy (Reinterpreted) is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -17.83 db and the tempo is around 112.10 bpm.\nAcousticness: 0% – Track isn't acoustic\nDanceability: 46% – Track isn't good for dancing\nInstrumentalness: 80% – Likely is instrumental\nEnergy: 31% – Track is on the mellow side\nSpeechiness 3% – Probably doesn't contain talking\nLiveness: 13% – Track was recorded in a studio (not live)\nValence: 14% – Vibe is sad, depressed, and/or angry”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-15T17:18:35.000Z”, “updatedat”: “2024-08-07T20:36:00.000Z”, “publishedat”: “2019-12-05T18:00:00.000Z”, “customexcerpt”: “II: Released: 12/05/2019”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeature_image”: 1 }, { “id”: “666de353f61e650001f42f0a”, “uuid”: “01761f9b-f773-408e-a4db-e29375be27b7”, “title”: “Inquisitors”, “slug”: “inquisitors”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Welcome and thank you for being an Inquisitor member. Here you may stream to your hearts desire all published music as many times and as loud as you wish. Streaming is offered to you in High Definition FLAC format.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/8-6-1.png\“,\“width\”:50,\“height\”:50,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Arete (Remastered)\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/6-6-1.png\“,\“width\”:50,\“height\”:50,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”The Isolation Sessions\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/2-3-1.png\“,\“width\”:50,\“height\”:50,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Arete (EP)\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/3-2-1.png\“,\“width\”:50,\“height\”:50,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Hex (Prognosticator Mix)\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/1-2-1.png\“,\“width\”:50,\“height\”:50,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”Glock (SP)\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“type\”:\“horizontalrule\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“(IV) \\“The Hex Sessions\\” (V) \\“The Envy Sessions\\” were removed August 12 2023. (VII) Arete Limited Edition is sold out and not featured simply because it is the same track listing as (VIII) Arete (Remastered).\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Welcome and thank you for being an Inquisitor member. Here you may stream to your hearts desire all published music as many times and as loud as you wish. Streaming is offered to you in High Definition FLAC format.

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(IV) \“The Hex Sessions\” (V) \“The Envy Sessions\” were removed August 12 2023. (VII) Arete Limited Edition is sold out and not featured simply because it is the same track listing as (VIII) Arete (Remastered).

”, “commentid”: “666de353f61e650001f42f0a”, “plaintext”: “Welcome and thank you for being an Inquisitor member. Here you may stream to your hearts desire all published music as many times and as loud as you wish. Streaming is offered to you in High Definition FLAC format.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n(IV) \“The Hex Sessions\” (V) \“The Envy Sessions\” were removed August 12 2023. (VII) Arete Limited Edition is sold out and not featured simply because it is the same track listing as (VIII) Arete (Remastered).“, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-15T18:54:11.000Z”, “updatedat”: “2024-07-31T17:59:25.000Z”, “publishedat”: “2024-07-05T18:53:48.000Z”, “customexcerpt”: “Stream All Published Music Free in FLAC format”, “codeinjectionhead”: “”, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeature_image”: 1 }, { “id”: “666dec4ef61e650001f42f78”, “uuid”: “97737473-614b-43c9-b2f7-f71ac3f2e4ea”, “title”: “Terms & Conditions”, “slug”: “tos”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Music Sales\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h3\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Music from Angershade.com is for personal use. 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You agree to indemnify and hold harmless the seller from any claims or damages arising out of your use of the file in violation of these terms.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Photography Services\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h3\“},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Models must be 18+ (Women Only) – for sexist allegations click 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Music Sales

Music from Angershade.com is for personal use. Commercial use requires permission. Downloads come with a personal use license and are non-refundable, including for various file formats. Personal use allows storage and backup but forbids sharing, redistribution, or resale. The seller retains all copyrights and is not responsible for file compatibility or quality. Violating these terms leads to indemnification responsibilities. Purchasing and downloading signifies agreement to these terms. Additional licensing options are available.

Terms for Free/Paid Downloads

These terms apply to music from Angershade.com. Downloading signifies agreement.

1. Copyright: Music is \u00a9Angershade/Brian Yegge.
2. Personal Use: For private, non-commercial enjoyment.
3. Commercial Use: Requires permission or a license.
4. Redistribution: Forbidden.
5. Attribution: Credit Angershade and provide a website link.
6. Disclaimer: Music is \“as is\” without warranties.
7. Liability: The artist is not liable for any damages.
8. Changes: Terms may change, and updates will be posted.
9. Contact: For licensing or inquiries, email.

Personal Use License

By purchasing and downloading these files, you agree to the following terms.

1. The file is for personal use only and may not be shared, distributed, or resold in anyway.

2. You may store and make copies of the file for your own personal backup purposes but may not distribute copies to others.

3. You acknowledge that the seller owns all copyright and intellectual property rights in the file.

4. You may not use the file for any commercial or public performance purposes without obtaining the appropriate licensing from the seller.

5. The seller makes no warranties or guarantees about the quality of the file or its compatibility with your devices.

6. You agree to indemnify and hold harmless the seller from any claims or damages arising out of your use of the file in violation of these terms.

Photography Services

1. Models must be 18+ (Women Only) – for sexist allegations click here
2. Book and confirm appointments in advance.
3. Refer to individual agreements for cancellations and refunds.
4. Social media/website use requires a single-use license.
5. Copyright: Photographs are \u2117Yegge/Brian Yegge.
6. Personal Use: Viewing and sharing for non-commercial purposes.
7. Commercial Use: Requires permission or a license.
8. Attribution: Credit Brian Yegge and provide a website link.
9. Alterations: Prohibited without explicit permission.
10. Disclaimer: Photographs are \“as is\” without warranties.
11. Liability: The photographer is not liable for any damages.
12. Changes: Terms may change, and updates will be posted.
13. Contact: For licensing or inquiries, email here.

Privacy Policy (Last updated: August 21, 2023)

Angershade.com respects your privacy.

1. We collect personal (name, email, etc.) and non-personal (IP address, browser type, etc.) information.
2. We use this information for website maintenance, user inquiries, and, if agreed, for newsletters and promotions.
3. We don't sell your information. Disclosure occurs with consent, for policy enforcement, or legal reasons.
4. External links and third-party services have their own privacy policies.
5. We protect your data but can't guarantee absolute security.
6. We don't knowingly collect children's information (under 13).
7. The Privacy Policy may change, and we'll update the \“Last updated\” date.
8. Contact us for any privacy concerns.

Limitation of Liability

Angershade.com isn't liable for indirect damages from using the website or services.
Terms can change without individual notice.
Stay updated with the website for the latest terms.

Fair Use

Respect the intellectual property of image creators. Share for educational or non-commercial purposes with proper credit. For commentary, criticism, or reporting, ensure fair representation. Seek permission for uncertain uses. Report violations and comply with this policy for a respectful sharing environment.

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”, “comment_id”: “666dec4ef61e650001f42f78”, “plaintext”: “Music Sales\n\nMusic from Angershade.com is for personal use. Commercial use requires permission. Downloads come with a personal use license and are non-refundable, including for various file formats. Personal use allows storage and backup but forbids sharing, redistribution, or resale. The seller retains all copyrights and is not responsible for file compatibility or quality. Violating these terms leads to indemnification responsibilities. Purchasing and downloading signifies agreement to these terms. Additional licensing options are available.\n\n\nTerms for Free/Paid Downloads\n\nThese terms apply to music from Angershade.com. Downloading signifies agreement.\n\n 1. Copyright: Music is \u00a9Angershade/Brian Yegge.\n 2. Personal Use: For private, non-commercial enjoyment.\n 3. Commercial Use: Requires permission or a license.\n 4. Redistribution: Forbidden.\n 5. Attribution: Credit Angershade and provide a website link.\n 6. Disclaimer: Music is \“as is\” without warranties.\n 7. Liability: The artist is not liable for any damages.\n 8. Changes: Terms may change, and updates will be posted.\n 9. Contact: For licensing or inquiries, email.\n\n\nPersonal Use License\n\nBy purchasing and downloading these files, you agree to the following terms.\n\n1. The file is for personal use only and may not be shared, distributed, or resold in anyway.\n\n2. You may store and make copies of the file for your own personal backup purposes but may not distribute copies to others.\n\n3. You acknowledge that the seller owns all copyright and intellectual property rights in the file.\n\n4. You may not use the file for any commercial or public performance purposes without obtaining the appropriate licensing from the seller.\n\n5. The seller makes no warranties or guarantees about the quality of the file or its compatibility with your devices.\n\n6. 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Contact: For licensing or inquiries, email here.\n\n\nPrivacy Policy (Last updated: August 21, 2023)\n\nAngershade.com respects your privacy.\n\n 1. We collect personal (name, email, etc.) and non-personal (IP address, browser type, etc.) information.\n 2. We use this information for website maintenance, user inquiries, and, if agreed, for newsletters and promotions.\n 3. We don't sell your information. Disclosure occurs with consent, for policy enforcement, or legal reasons.\n 4. External links and third-party services have their own privacy policies.\n 5. We protect your data but can't guarantee absolute security.\n 6. We don't knowingly collect children's information (under 13).\n 7. The Privacy Policy may change, and we'll update the \“Last updated\” date.\n 8. Contact us for any privacy concerns.\n\n\nLimitation of Liability\n\nAngershade.com isn't liable for indirect damages from using the website or services.\nTerms can change without individual notice.\nStay updated with the website for the latest terms.\n\n\nFair Use\n\nRespect the intellectual property of image creators. Share for educational or non-commercial purposes with proper credit. For commentary, criticism, or reporting, ensure fair representation. Seek permission for uncertain uses. Report violations and comply with this policy for a respectful sharing environment.\n\nIn case of the owner's demise, ownership rights transfer to the next of kin.“, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-15T19:32:30.000Z”, “updatedat”: “2024-07-31T18:50:40.000Z”, “publishedat”: “2024-06-15T19:40:51.000Z”, “customexcerpt”: “By using Angershade.com & services by \u2117 Yegge, you agree to these Terms. \u2028Disagreement means refraining from using content and/or services.“, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666df066f61e650001f42fba”, “uuid”: “cf00312c-afc8-4f3f-b74e-74dad3b7f601”, “title”: “Hex (Prognosticator Mix)”, “slug”: “hex-prognosticator-mix”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“A Reinterpretation of \\“Hex\\” published under the new Sonancy.Studio label\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Apple Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.apple.com/us/album/hex-prognosticator-mix/1544816534?i=1544816535"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/album/6OvKshLJgLqolgtvXenG3B?si=OVK8F_P7ShGpAoJvaHy2Nw"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/playlist?list=OLAK5uy_m4i5X9V9vqN6Wt9HyxzsXHuBcNbwRjflg&si=g5lyGeOVlKEceZfd"}],"direction":"ltr","format":"","indent":0,"type":"paragraph","version":1}],"direction":"ltr","format":"","indent":0,"type":"root","version":1}}", “html”: “

A Reinterpretation of \“Hex\” published under the new Sonancy.Studio label

Apple Music Spotify Youtube Music

”, “commentid”: “666df066f61e650001f42fba”, “plaintext”: “A Reinterpretation of \“Hex\” published under the new Sonancy.Studio label\n\nApple Music Spotify Youtube Music”, “featureimage”: “GHOST_URL/content/images/2024/06/a238833063610-1.jpg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-15T19:49:58.000Z”, “updatedat”: “2024-06-16T13:03:22.000Z”, “publishedat”: “2020-12-03T19:54:00.000Z”, “customexcerpt”: “SP – Released 12/03/2020”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666ec6d9de858a00014d8964”, “uuid”: “14a6c1d3-84dc-4231-9e17-11061aacaa38”, “title”: “The Hex Sessions”, “slug”: “the-hex-sessions”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex Remastered – AngerShade (3:49)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex The Dark Mix Demo – AngerShade (3:38)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:2},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex The Diviner Mix – AngerShade (4:11)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:3},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex Slammed Mix Brian Yegge Remix – AngerShade (4:10)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:4},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex (Prognosticator Mix) – AngerShade (4:26)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:5},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex The Obstinate Mix – AngerShade (4:32)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:6},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Hex Just the Witches Stripped – AngerShade (2:11)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:7}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“list\“,\“version\”:1,\“listType\”:\“number\“,\“start\”:1,\“tag\”:\“ol\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The Hex sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, and Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

1. Hex Remastered – AngerShade (3:49)
2. Hex The Dark Mix Demo – AngerShade (3:38)
3. Hex The Diviner Mix – AngerShade (4:11)
4. Hex Slammed Mix Brian Yegge Remix – AngerShade (4:10)
5. Hex (Prognosticator Mix) – AngerShade (4:26)
6. Hex The Obstinate Mix – AngerShade (4:32)
7. Hex Just the Witches Stripped – AngerShade (2:11)

The Hex sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, and Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product.

”, “commentid”: “666ec6d9de858a00014d8964”, “plaintext”: “ 1. Hex Remastered – AngerShade (3:49)\n 2. Hex The Dark Mix Demo – AngerShade (3:38)\n 3. Hex The Diviner Mix – AngerShade (4:11)\n 4. Hex Slammed Mix Brian Yegge Remix – AngerShade (4:10)\n 5. Hex (Prognosticator Mix) – AngerShade (4:26)\n 6. Hex The Obstinate Mix – AngerShade (4:32)\n 7. Hex Just the Witches Stripped – AngerShade (2:11)\n\nThe Hex sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, and Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product.“, “featureimage”: “GHOST_URL/content/images/2024/06/The-HEX-Sesssions—-3-of-6-1.jpg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-16T11:04:57.000Z”, “updatedat”: “2024-06-16T13:04:33.000Z”, “publishedat”: “2021-05-25T11:08:00.000Z”, “customexcerpt”: “EP – Released 05/25/2021 | Removed 06/12/2023”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666ec7edde858a00014d897a”, “uuid”: “75cf2d6d-e92d-4bca-85e5-f2f7b03251bf”, “title”: “The Envy Sessions”, “slug”: “the-envy-sessions”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy Reinterpreted Remastered – (2:34)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy Remastered – (2:34)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:2},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy Full Suicided Version VIP Mix\u00a0 – (2:42)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:3},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy Tight Mix – Remix – (2:34)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:4},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy Meditative Mix – (2:38)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:5},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“ADEPT Glitter Fairies Edition – (4:30)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:6},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Envy No Strings Attached – (2:32)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“listitem\“,\“version\”:1,\“value\”:7}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“list\“,\“version\”:1,\“listType\”:\“number\“,\“start\”:1,\“tag\”:\“ol\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The Envy sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are in fact demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product. Adept \\“The Glitter Fairies Edition\\” is a little extra added treat to break up the repetitiveness a little.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

1. Envy Reinterpreted Remastered – (2:34)
2. Envy Remastered – (2:34)
3. Envy Full Suicided Version VIP Mix  – (2:42)
4. Envy Tight Mix – Remix – (2:34)
5. Envy Meditative Mix – (2:38)
6. ADEPT Glitter Fairies Edition – (4:30)
7. Envy No Strings Attached – (2:32)

The Envy sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are in fact demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product. Adept \“The Glitter Fairies Edition\” is a little extra added treat to break up the repetitiveness a little.

”, “commentid”: “666ec7edde858a00014d897a”, “plaintext”: “ 1. Envy Reinterpreted Remastered – (2:34)\n 2. Envy Remastered – (2:34)\n 3. Envy Full Suicided Version VIP Mix\u00a0 – (2:42)\n 4. Envy Tight Mix – Remix – (2:34)\n 5. Envy Meditative Mix – (2:38)\n 6. ADEPT Glitter Fairies Edition – (4:30)\n 7. Envy No Strings Attached – (2:32)\n\nThe Envy sessions is a collection of different variations of the piece along with the original piece itself remastered. Demos, Variations, Different all together perspective mixes of the song with changing dynamics. Sound quality may vary as some are in fact demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can, before deciding on the final product. Adept \“The Glitter Fairies Edition\” is a little extra added treat to break up the repetitiveness a little.“, “feature_image”: “GHOST_URL/content/images/2024/06/The-ENVY-Sessions—-2-of-5-1.JPG”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-16T11:09:33.000Z”, “updatedat”: “2024-06-16T13:03:37.000Z”, “publishedat”: “2021-05-25T00:00:00.000Z”, “customexcerpt”: “EP – Released 05/25/2021 | Removed 06/12/2023”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeature_image”: 1 }, { “id”: “666ec8bede858a00014d8989”, “uuid”: “ccf7f11a-3f79-4895-b69c-e54a03141f8d”, “title”: “Arete (Remastered) Limited Ed.”, “slug”: “arete-remastered-limited-ed”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Arete Limited Ed. was only available in a limited quantity for a limited amount of time and has since sold out. The limited edition was very similar to the currently available \u201c\“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Arete (Remastered) LP\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noopener noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\”GHOST_URL/b7ca9a375eb34f40a47f450b3b456cc8?pvs=25\“},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“.\u201d The limited edition came with commemorative artwork with picture of model Tes Jordan as it was on \u201c\“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The Isolation Sessions\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noopener noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\”GHOST_URL/ccc1a94d28e9451c9a906ae1455ff05c?pvs=25\“},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”\u201d & themed with a Ghost Blue Grey color the release was only available on both Black Vinyl, Picture Disc Vinyl, & CD.\u00a0\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Differences between the Remastered Limited Ed. and Remastered Release.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“VINYL\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h3\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Both were offered on Vinyl however due to limitations of Vinyl one track had to be omitted. For the Limited Ed. \u201cEnvy (Suicided MIX 1 VIP)\u201d was omitted in favor of \u201cIsolation Heroin Hotel (Limits Exceeded Mix).\u201d On the Standard Remastered Release \u201cIsolation Heroin Hotel (Limits Exceeded Mix)\u201d is switched out for \u201cEnvy (Suicided MIX 1 VIP).\u201d\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The Splitting up of Adept\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“extended-heading\“,\“version\”:1,\“tag\”:\“h3\“},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“On the physical copies (CD & Vinyl) of both the limited edition & standard edition \u201cAdept (Remastered)\u201d is as it was on the EP it originated from, with the Orchestral intro. For the Digital Download version and on all streaming platforms the intro was stripped from the full track making the orchestral intro a track by itself simply entitled \u201cIntro.\u201d This was done due to complaints from fans of the track not wanting to advance forward the long and droning intro. Adept now starts when the drums and bass come in, but only on streaming & digital download as it was a last minute decision before date of release.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“image\“,\“version\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-1-of-8-1.jpg\“,\“width\”:2000,\“height\”:2000,\“title\”:\”\“,\“alt\”:\”\“,\“caption\”:\”\“,\“cardWidth\”:\“regular\“,\“href\”:\”\“},{\“type\”:\“gallery\“,\“version\”:1,\“images\”:[{\“row\”:0,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-1-of-8-2.jpg\“,\“width\”:3675,\“height\”:3675,\“fileName\”:\” LIMITED ED. – 1 of 8.jpg\“},{\“row\”:0,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-2-of-8.jpg\“,\“width\”:1394,\“height\”:1394,\“fileName\”:\” LIMITED ED. – 2 of 8.jpg\“},{\“row\”:0,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-3-of-8.jpg\“,\“width\”:3000,\“height\”:1500,\“fileName\”:\” LIMITED ED. – 3 of 8.jpg\“},{\“row\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-4-of-8.jpg\“,\“width\”:3419,\“height\”:1500,\“fileName\”:\” LIMITED ED. – 4 of 8.jpg\“},{\“row\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-5-of-8.jpg\“,\“width\”:1772,\“height\”:1385,\“fileName\”:\” LIMITED ED. – 5 of 8.jpg\“},{\“row\”:1,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-6-of-8.jpg\“,\“width\”:7350,\“height\”:3675,\“fileName\”:\” LIMITED ED. – 6 of 8.jpg\“},{\“row\”:2,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-7-of-8.JPG\“,\“width\”:3072,\“height\”:1536,\“fileName\”:\” LIMITED ED. – 7 of 8.JPG\“},{\“row\”:2,\“src\”:\”GHOST_URL/content/images/2024/06/-LIMITED-ED.—-8-of-8.JPG\“,\“width\”:3000,\“height\”:1500,\“fileName\”:\” LIMITED ED. – 8 of 8.JPG\“},{\“row\”:2,\“src\”:\”GHOST_URL/content/images/2024/06/posterworm-Edit.jpg\“,\“width\”:10800,\“height\”:8785,\“fileName\”:\“posterworm-Edit.jpg\“}],\“caption\”:\”\“},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Arete Limited Ed. was only available in a limited quantity for a limited amount of time and has since sold out. The limited edition was very similar to the currently available \u201cArete (Remastered) LP.\u201d The limited edition came with commemorative artwork with picture of model Tes Jordan as it was on \u201cThe Isolation Sessions\u201d & themed with a Ghost Blue Grey color the release was only available on both Black Vinyl, Picture Disc Vinyl, & CD. 

Differences between the Remastered Limited Ed. and Remastered Release.

VINYL

Both were offered on Vinyl however due to limitations of Vinyl one track had to be omitted. For the Limited Ed. \u201cEnvy (Suicided MIX 1 VIP)\u201d was omitted in favor of \u201cIsolation Heroin Hotel (Limits Exceeded Mix).\u201d On the Standard Remastered Release \u201cIsolation Heroin Hotel (Limits Exceeded Mix)\u201d is switched out for \u201cEnvy (Suicided MIX 1 VIP).\u201d

The Splitting up of Adept

On the physical copies (CD & Vinyl) of both the limited edition & standard edition \u201cAdept (Remastered)\u201d is as it was on the EP it originated from, with the Orchestral intro. For the Digital Download version and on all streaming platforms the intro was stripped from the full track making the orchestral intro a track by itself simply entitled \u201cIntro.\u201d This was done due to complaints from fans of the track not wanting to advance forward the long and droning intro. Adept now starts when the drums and bass come in, but only on streaming & digital download as it was a last minute decision before date of release.

”, “commentid”: “666ec8bede858a00014d8989”, “plaintext”: “Arete Limited Ed. was only available in a limited quantity for a limited amount of time and has since sold out. The limited edition was very similar to the currently available \u201cArete (Remastered) LP.\u201d The limited edition came with commemorative artwork with picture of model Tes Jordan as it was on \u201cThe Isolation Sessions\u201d & themed with a Ghost Blue Grey color the release was only available on both Black Vinyl, Picture Disc Vinyl, & CD.\u00a0\n\nDifferences between the Remastered Limited Ed. and Remastered Release.\n\n\nVINYL\n\nBoth were offered on Vinyl however due to limitations of Vinyl one track had to be omitted. For the Limited Ed. \u201cEnvy (Suicided MIX 1 VIP)\u201d was omitted in favor of \u201cIsolation Heroin Hotel (Limits Exceeded Mix).\u201d On the Standard Remastered Release \u201cIsolation Heroin Hotel (Limits Exceeded Mix)\u201d is switched out for \u201cEnvy (Suicided MIX 1 VIP).\u201d\n\n\nThe Splitting up of Adept\n\nOn the physical copies (CD & Vinyl) of both the limited edition & standard edition \u201cAdept (Remastered)\u201d is as it was on the EP it originated from, with the Orchestral intro. For the Digital Download version and on all streaming platforms the intro was stripped from the full track making the orchestral intro a track by itself simply entitled \u201cIntro.\u201d This was done due to complaints from fans of the track not wanting to advance forward the long and droning intro. Adept now starts when the drums and bass come in, but only on streaming & digital download as it was a last minute decision before date of release.“, “featureimage”: “GHOST_URL/content/images/2024/06/-LIMITED-ED.—-4-of-8-1.jpg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-16T11:13:02.000Z”, “updatedat”: “2024-06-16T13:05:48.000Z”, “publishedat”: “2023-10-11T00:00:00.000Z”, “customexcerpt”: “LP – Released 10/11/2023 | Vinyl & CD SOLD OUT”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “666eca42de858a00014d89a5”, “uuid”: “7b5425fb-cd6c-4bdf-aa17-4637bd0ff64d”, “title”: “Arete (Remastered)”, “slug”: “arete-remastered”, “mobiledoc”: null, “lexical”: 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\“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Spotify\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://open.spotify.com/album/3xXqnO5ZRs7B5UaZPZR4zY"},{"detail":0,"format":0,"mode":"normal","style":"","text":" \“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Youtube Music\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://music.youtube.com/playlist?list=OLAK5uym5lYXsqaNUVRkrpZGM7DR3T8z5CzrU8c&si=3Pt5ydPe4AIyC7R\“}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“toggle\“,\“version\”:1,\“heading\”:\”More streaming services\“,\“content\”:\”

Spotify, Apple Music, iTunes, Instagram/Facebook, TikTok & other ByteDance stores, YouTube Music, Amazon, Pandora, Deezer, Tidal, iHeartRadio,Claro M\u00fasica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Qobuz, Joox, Kuack Media, Yandex Music (beta), Adaptr, Flo, MediaNet, Snapchat

Not all stores have links provided, search \\“Angershade\\” and you will find it.

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CD & Digital Download Available

1. (Intro)
2. Adept (Remastered)
3. Hex (Remastered)
4. Envy (Remastered)
5. Isolation (Remastered)
6. Envy (Reinterpreted) (Remastered)
7. Hex (Prognosticator Mix) (Remastered)
8. Envy (Suicided Mix 1 VIP)
9. Isolation Heroin Hotel (Limits Exceeded Mix)
10. Hex (Dark Mix Demo)
11. Envy (Tight Mix Demo)
12. Adept (The Inept Offensive Demo)

Apple Music Spotify Youtube Music

”, “commentid”: “666eca42de858a00014d89a5”, “plaintext”: “CD & Digital Download Available\n\n 1. (Intro)\n 2. Adept (Remastered)\n 3. Hex (Remastered)\n 4. Envy (Remastered)\n 5. Isolation (Remastered)\n 6. Envy (Reinterpreted) (Remastered)\n 7. Hex (Prognosticator Mix) (Remastered)\n 8. Envy (Suicided Mix 1 VIP)\n 9. Isolation Heroin Hotel (Limits Exceeded Mix)\n 10. Hex (Dark Mix Demo)\n 11. Envy (Tight Mix Demo)\n 12. Adept (The Inept Offensive Demo)\n\nApple Music Spotify Youtube Music\n\n\n\nMore streaming services\n\n\n\n\n\n\n\n\nSpotify,\u00a0Apple Music,\u00a0iTunes,\u00a0Instagram/Facebook,\u00a0TikTok & other ByteDance stores,\u00a0YouTube Music,\u00a0Amazon,\u00a0Pandora,\u00a0Deezer,\u00a0Tidal,\u00a0iHeartRadio,Claro M\u00fasica,\u00a0Saavn,\u00a0Boomplay,\u00a0Anghami,\u00a0KKBox,\u00a0NetEase,\u00a0Tencent,\u00a0Qobuz,\u00a0Joox,\u00a0Kuack Media,\u00a0Yandex Music (beta),\u00a0Adaptr,\u00a0Flo,\u00a0MediaNet,\u00a0Snapchat\n\nNot all stores have links provided, search \“Angershade\” and you will find it.\n”, “featureimage”: “GHOST_URL/content/images/2024/08/—-12-of-12-1-1-1.JPG”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-16T11:19:30.000Z”, “updatedat”: “2024-08-07T20:58:40.000Z”, “publishedat”: “2024-06-16T11:31:09.000Z”, “customexcerpt”: “VII: LP – Released 11/17/2023”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeature_image”: 1 }, { “id”: “667ce9f087b103000196078c”, “uuid”: “8461ed16-8659-44f2-9b20-a117d934c596”, “title”: “Stages of Audio Production”, “slug”: “stages-of-audio-production”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The concept of audio projects, from the earliest ideation to the final release, is an intricate science of creative and technical stages. In this article, I share my personalized approach to music production, which guided me through the production of the EP \\”[\“,\“type\”:\“extended-text\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Arete\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\”GHOST_URL/arete/\“},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“][1].\\” By distinguishing specific stages, I was able to track the progress, make strategic decisions about project continuance, and effectively manage the overall production process.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“I. CONCEPTION\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The conception stage sparks the musical journey into existence. It's the birth of an idea, inspired by spontaneous creativity, and born from experimenting with diverse instruments or styles. This stage is characterized by its fluidity and speed; it often concludes as soon as an idea holds enough merit to warrant investing more time and resources.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“II. DEMO\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Next comes the demo stage, often the longest part of the process. Here, the structure and sound of the track are explored and experimented with, using various amps, synths, and sounds. It's during this stage that many projects are shelved, making it a critical make-or-break point. However, those that persevere are rewarded with a solid foundation track, marking the successful conclusion of this stage.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“III. SESSION PREPARATION\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Session preparation is a meticulous process involving several sub-checklists. At this stage, the foundation track is exported from the demo project and imported into a new one, complete with key signatures, tempo settings, and beat mapping. Recording settings are adjusted to ensure optimal quality, with stereo recordings set at a 48kHz sample rate and 24bit. Busses are created and assigned, and instruments to be used are prepared.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“IV. SESSION\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The session stage is where performance and dynamics take center stage. Each performed instrument must have between nine to seventeen takes per alternate take, ensuring a diversity of options for the final mix. This stage is often the most enjoyable, allowing the musicians to immerse themselves in their craft. While individual tracks' durations may vary, a full-length EP typically takes about 2.5 months to perfect.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“V. MIXING\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“The mixing stage focuses on achieving balance and editing the track. After resetting the board and adjusting the faders, a stereo mix is created and then converted into a Dolby Atmos 7.2 surround in a new project alternative.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“VI. MASTERING\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“During the master\“,\“type\”:\“extended-text\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“ing stage, the track's volume is adjusted to prevent distortion and achieve the right loudness. This stage also includes designing the cover concept. The final result is then loaded into a new Logic Audio project file, using a mastering template with Izotope\u2019s Ozone Mastering. The process should not be rushed and requires regular breaks to rest the ears.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“VII. DISTRIBUTION\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Distribution involves uploading the music to a platform, such as Distrokid, and setting a release date approximately six weeks out. All metadata and accreditation should be completed at this stage, ensuring a smooth release.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“VIII. RELEASE\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“After release, marketing projects commence. By this point, the production process is finalized and complete.\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

The concept of audio projects, from the earliest ideation to the final release, is an intricate science of creative and technical stages. In this article, I share my personalized approach to music production, which guided me through the production of the EP \”[Arete][1].\” By distinguishing specific stages, I was able to track the progress, make strategic decisions about project continuance, and effectively manage the overall production process.

I. CONCEPTION
The conception stage sparks the musical journey into existence. It's the birth of an idea, inspired by spontaneous creativity, and born from experimenting with diverse instruments or styles. This stage is characterized by its fluidity and speed; it often concludes as soon as an idea holds enough merit to warrant investing more time and resources.

II. DEMO
Next comes the demo stage, often the longest part of the process. Here, the structure and sound of the track are explored and experimented with, using various amps, synths, and sounds. It's during this stage that many projects are shelved, making it a critical make-or-break point. However, those that persevere are rewarded with a solid foundation track, marking the successful conclusion of this stage.

III. SESSION PREPARATION
Session preparation is a meticulous process involving several sub-checklists. At this stage, the foundation track is exported from the demo project and imported into a new one, complete with key signatures, tempo settings, and beat mapping. Recording settings are adjusted to ensure optimal quality, with stereo recordings set at a 48kHz sample rate and 24bit. Busses are created and assigned, and instruments to be used are prepared.

IV. SESSION
The session stage is where performance and dynamics take center stage. Each performed instrument must have between nine to seventeen takes per alternate take, ensuring a diversity of options for the final mix. This stage is often the most enjoyable, allowing the musicians to immerse themselves in their craft. While individual tracks' durations may vary, a full-length EP typically takes about 2.5 months to perfect.

V. MIXING
The mixing stage focuses on achieving balance and editing the track. After resetting the board and adjusting the faders, a stereo mix is created and then converted into a Dolby Atmos 7.2 surround in a new project alternative.

VI. MASTERING
During the mastering stage, the track's volume is adjusted to prevent distortion and achieve the right loudness. This stage also includes designing the cover concept. The final result is then loaded into a new Logic Audio project file, using a mastering template with Izotope\u2019s Ozone Mastering. The process should not be rushed and requires regular breaks to rest the ears.

VII. DISTRIBUTION
Distribution involves uploading the music to a platform, such as Distrokid, and setting a release date approximately six weeks out. All metadata and accreditation should be completed at this stage, ensuring a smooth release.

VIII. RELEASE
After release, marketing projects commence. By this point, the production process is finalized and complete.

”, “commentid”: “667ce9f087b103000196078c”, “plaintext”: “The concept of audio projects, from the earliest ideation to the final release, is an intricate science of creative and technical stages. In this article, I share my personalized approach to music production, which guided me through the production of the EP \”[Arete][1].\” By distinguishing specific stages, I was able to track the progress, make strategic decisions about project continuance, and effectively manage the overall production process.\n\nI. CONCEPTION\nThe conception stage sparks the musical journey into existence. It's the birth of an idea, inspired by spontaneous creativity, and born from experimenting with diverse instruments or styles. This stage is characterized by its fluidity and speed; it often concludes as soon as an idea holds enough merit to warrant investing more time and resources.\n\nII. DEMO\nNext comes the demo stage, often the longest part of the process. Here, the structure and sound of the track are explored and experimented with, using various amps, synths, and sounds. It's during this stage that many projects are shelved, making it a critical make-or-break point. However, those that persevere are rewarded with a solid foundation track, marking the successful conclusion of this stage.\n\nIII. SESSION PREPARATION\nSession preparation is a meticulous process involving several sub-checklists. At this stage, the foundation track is exported from the demo project and imported into a new one, complete with key signatures, tempo settings, and beat mapping. Recording settings are adjusted to ensure optimal quality, with stereo recordings set at a 48kHz sample rate and 24bit. Busses are created and assigned, and instruments to be used are prepared.\n\nIV. SESSION\nThe session stage is where performance and dynamics take center stage. Each performed instrument must have between nine to seventeen takes per alternate take, ensuring a diversity of options for the final mix. This stage is often the most enjoyable, allowing the musicians to immerse themselves in their craft. While individual tracks' durations may vary, a full-length EP typically takes about 2.5 months to perfect.\n\nV. MIXING\nThe mixing stage focuses on achieving balance and editing the track. After resetting the board and adjusting the faders, a stereo mix is created and then converted into a Dolby Atmos 7.2 surround in a new project alternative.\n\nVI. MASTERING\nDuring the mastering stage, the track's volume is adjusted to prevent distortion and achieve the right loudness. This stage also includes designing the cover concept. The final result is then loaded into a new Logic Audio project file, using a mastering template with Izotope\u2019s Ozone Mastering. The process should not be rushed and requires regular breaks to rest the ears.\n\nVII. DISTRIBUTION\nDistribution involves uploading the music to a platform, such as Distrokid, and setting a release date approximately six weeks out. All metadata and accreditation should be completed at this stage, ensuring a smooth release.\n\nVIII. RELEASE\nAfter release, marketing projects commence. By this point, the production process is finalized and complete.“, “featureimage”: null, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-06-27T04:26:24.000Z”, “updatedat”: “2024-06-27T04:34:25.000Z”, “publishedat”: “2021-07-08T04:31:00.000Z”, “customexcerpt”: “The concept of audio projects, from the earliest ideation to the final release, is an intricate science of creative and technical stages. In this article, I share my personalized approach to music production, which guided me through the production of the EP \”[Arete][1].\“”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “668405c2c2529e0001a6da67”, “uuid”: “ceb02445-68bf-442c-b19b-f476090be448”, “title”: “Sonancy.Studio”, “slug”: “sonancystudio”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Sonancy.Studio was a partnership duo featuring abstract model concept photography that encompassed and encouraged collaboration of others. \“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Opened July 3rd 2020\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Official Close Date March 1st 2022\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”*Projects included\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“HeXXmaS\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\“https://stori.es/Y7Yj8"},{"detail":0,"format":0,"mode":"normal","style":"","text":" – 02/14/2021\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”Bad Day – 09/12/2021\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”DISASTERP1ECE – quiet 1 image release October 2022\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\”*as of August 12th 2023 all content was removed with exceptions allowed. 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Sonancy.Studio was a partnership duo featuring abstract model concept photography that encompassed and encouraged collaboration of others.

Opened July 3rd 2020
Official Close Date March 1st 2022

*Projects included

HeXXmaS – 02/14/2021
Bad Day – 09/12/2021
DISASTERP1ECE – quiet 1 image release October 2022

*as of August 12th 2023 all content was removed with exceptions allowed. Commercial use is prohibited
billed as a yeggestryker production. Commercial use is prohibited

---

Official statement available upon request.

Send email to admin@sonancy.net
Not all requests will be responded

”, “comment_id”: “668405c2c2529e0001a6da67”, “plaintext”: “Sonancy.Studio was a partnership duo featuring abstract model concept photography that encompassed and encouraged collaboration of others.\n\nOpened July 3rd 2020\nOfficial Close Date March 1st 2022\n\n*Projects included\n\nHeXXmaS – 02/14/2021\nBad Day – 09/12/2021\nDISASTERP1ECE – quiet 1 image release October 2022\n\n*as of August 12th 2023 all content was removed with exceptions allowed. Commercial use is prohibited\nbilled as a yeggestryker production. Commercial use is prohibited\n\n\nOfficial statement available upon request.\n\nSend email to admin@sonancy.net\nNot all requests will be responded”, “feature_image”: “GHOST_URL/content/images/2024/07/sonancy-1.png”, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-07-02T13:50:58.000Z”, “updatedat”: “2024-09-03T21:25:35.000Z”, “publishedat”: “2022-02-09T13:53:00.000Z”, “customexcerpt”: “Sonancy.Studio was a partnership duo featuring abstract model concept photography that encompassed and encouraged collaboration of others.”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “668822a63a8bfb00014dfe08”, “uuid”: “7e1d3be7-b21e-4da4-9b8a-0abd07f3bfa6”, “title”: “Glock”, “slug”: “glock”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“},{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “\n\n\n\n”, “commentid”: “668822a63a8bfb00014dfe08”, “plaintext”: “\n\n\n\n”, “feature_image”: “GHOST_URL/content/images/2024/07/Pasted-Graphic-copy.jpg”, “featured”: 0, “type”: “post”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-07-05T16:43:18.000Z”, “updatedat”: “2024-07-05T16:48:11.000Z”, “publishedat”: “2015-06-15T00:00:00.000Z”, “customexcerpt”: null, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “66aa7fe6d751eb00015a8968”, “uuid”: “ce848d45-5380-4eb3-8c34-8f9204efad8d”, “title”: “Thank you”, “slug”: “thank-you”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:null,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: null, “commentid”: “66aa7fe6d751eb00015a8968”, “plaintext”: null, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-07-31T18:18:14.000Z”, “updatedat”: “2024-07-31T18:19:41.000Z”, “publishedat”: “2024-07-31T18:19:41.000Z”, “customexcerpt”: “Your submission was successfully submitted”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “66aa873ad751eb00015a8982”, “uuid”: “1fb6ea10-f90a-41ea-a6ad-56479c42538e”, “title”: “don't care”, “slug”: “dont-care”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Back to Terms\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“link\“,\“version\”:1,\“rel\”:\“noreferrer\“,\“target\”:null,\“title\”:null,\“url\”:\”GHOST_URL/tos/\“}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Back to Terms

”, “commentid”: “66aa873ad751eb00015a8982”, “plaintext”: “Back to Terms”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-07-31T18:49:30.000Z”, “updatedat”: “2024-07-31T18:50:02.000Z”, “publishedat”: “2024-07-31T18:50:02.000Z”, “customexcerpt”: null, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “66b3607003f6f0000126ab36”, “uuid”: “9ca48487-71f1-49f9-9754-197b4a99e2ef”, “title”: “Gear”, “slug”: “gear”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“GEAR BOTH \“,\“type\”:\“extended-text\“,\“version\”:1},{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“LIVE & in 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Battery\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“NI Kontakt\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“NI Massive X\“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Audulous 4\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:1,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Cloud Storage & Webhosting\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Google Drive 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GEAR BOTH LIVE & in Studio

Fender Blacktop Precision 4-string
ESP TA-604 FRX 4 string Bass
Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head
https://www.gallien-krueger.com/1001-rb-specs**
GK NEO-412 Cabhttps://www.gallien-krueger.com/neo-412-specs
GK MB 115 Combo
https://www.gallien-krueger.com/mb-115-specs
DarkGlass Omega Photon Pedal/Interface
https://www.darkglass.com/creations/alpha-omega-photon/
iPad Pro M2

Studio

Instruments
Native Instruments Keyboard A49 with sustain pedal
Native Instruments Mikro MK3
Fender Blacktop Precision Bass 4-string
ESP TA-604 FRX Bass 4-string
Fender Precision Bass Standard 4-string
Gibson SG3 2019
Epiphone Less Paul
Yamaha Acoustic Guitar
Yamaha Classical Guitar
Washburn XB-500 Bass 5-string

Hardware

MacMini M2 PRO 32GB Memory
MacBook Pro M3 PRO 36GB Memory
iMac late 2013 intel 16GB Memory
iPad Pro 4th gen M2
iPhone 15 PRO MAX
Darkglass Omega Photon Interface
Motu M4 Audio interface TASCAM 4in-4out- Audio Interface
iRig I/O Pro audio interface
iRig HD Audio interface
AKG C-3000 condenser microphone
Sure SM57 Dynamic Microphone
Sure SM58 Dynamic Microphone
AKG A660 Dynamic microphone
2 Dual LG 34 inch Ultrawide 4K monitors
IKMultimedia Uno Synth analog synth
Three Audio Technica Headphones
2 Sandisk 500GB SSD external drives
1 WD 1TB HDD Backup drive
1 2TB Crucial SSD external drive
2 sets Mackie Studio Monitors Quad Speaker setup

Amps

Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head
GK NEO-412 Cab
****GK MB 115 Combo
Orange ThunderVerb
Orange Terror
Mesa Dual Rectifier
Ampeg SVT Classic Head
Ampeg SVT4 Pro Head

Software
Logic Audio 11 DAW
Audacity
Adobe Audition
Isotope mastering suite
T-Racks
Native Instruments Guitar Rig
NI Komplete Kontrol
NI Maschine 2
NI Battery
NI Kontakt
NI Massive X
Audulous 4

Cloud Storage & Webhosting

Google Drive Workspace 4TB backup
iCloud 4TB Storage
Adobe CC ALL APPS 1TB
WAVEKIT.APP for audio hosting
WHYP.It for audio sharing
Ghost.io for website hosting

\u2117 Yegge

”, “commentid”: “66b3607003f6f0000126ab36”, “plaintext”: “GEAR BOTH LIVE & in Studio\n\nFender Blacktop Precision 4-string\nESP TA-604 FRX 4 string Bass\nGallien-Krueger 1001RB-II 700/50W Biamp Bass Head\nhttps://www.gallien-krueger.com/1001-rb-specs\nGK NEO-412 Cabhttps://www.gallien-krueger.com/neo-412-specs\nGK MB 115 Combo\nhttps://www.gallien-krueger.com/mb-115-specs\nDarkGlass Omega Photon Pedal/Interface\nhttps://www.darkglass.com/creations/alpha-omega-photon/\niPad Pro M2\n\n\nStudio\n\nInstruments\nNative Instruments Keyboard A49 with sustain pedal\nNative Instruments Mikro MK3\nFender Blacktop Precision Bass 4-string\nESP TA-604 FRX Bass 4-string\nFender Precision Bass Standard 4-string\nGibson SG3 2019\nEpiphone Less Paul\nYamaha Acoustic Guitar\nYamaha Classical Guitar\nWashburn XB-500 Bass 5-string\n\n\nHardware\n\nMacMini M2 PRO 32GB Memory\nMacBook Pro M3 PRO 36GB Memory\niMac late 2013 intel 16GB Memory\niPad Pro 4th gen M2\niPhone 15 PRO MAX\nDarkglass Omega Photon Interface\nMotu M4 Audio interface TASCAM 4in-4out- Audio Interface\niRig I/O Pro audio interface\niRig HD Audio interface\nAKG C-3000 condenser microphone\nSure SM57 Dynamic Microphone\nSure SM58 Dynamic Microphone\nAKG A660 Dynamic microphone\n2 Dual LG 34 inch Ultrawide 4K monitors\nIKMultimedia Uno Synth analog synth\nThree Audio Technica Headphones\n2 Sandisk 500GB SSD external drives\n1 WD 1TB HDD Backup drive\n1 2TB Crucial SSD external drive\n2 sets Mackie Studio Monitors Quad Speaker setup\n\n\nAmps\n\nGallien-Krueger 1001RB-II 700/50W Biamp Bass Head\nGK NEO-412 Cab\n***GK MB 115 Combo\nOrange ThunderVerb\nOrange Terror\nMesa Dual Rectifier\nAmpeg SVT Classic Head\nAmpeg SVT4 Pro Head\n\nSoftware\nLogic Audio 11 DAW\nAudacity\nAdobe Audition\nIsotope mastering suite\nT-Racks\nNative Instruments Guitar Rig\nNI Komplete Kontrol\nNI Maschine 2\nNI Battery\nNI Kontakt\nNI Massive X\nAudulous 4\n\nCloud Storage & Webhosting\n\nGoogle Drive Workspace 4TB backup\niCloud 4TB Storage\nAdobe CC ALL APPS 1TB\nWAVEKIT.APP for audio hosting\nWHYP.It for audio sharing\nGhost.io for website hosting\n\n\u2117 Yegge”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “public”, “emailrecipientfilter”: “all”, “createdat”: “2024-08-07T11:54:24.000Z”, “updatedat”: “2024-08-07T16:15:07.000Z”, “publishedat”: “2024-08-07T11:57:22.000Z”, “customexcerpt”: “A list of equipment and services used to produce and distribute”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 0 }, { “id”: “66b3dc6403f6f0000126ab81”, “uuid”: “6f626698-f36e-4398-946e-37ddcbcd19e8”, “title”: “Arete (Remastered)”, “slug”: “arete-lp”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Streaming in FLAC format, & the Isolation Music Video (SPECIAL ED.)\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“type\”:\“paywall\“,\“version\”:1},{\“type\”:\“html\“,\“version\”:1,\“html\”:\”\“,\“visibility\”:{\“emailOnly\”:false,\“segment\”:\”\“}},{\“children\”:[],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Streaming in FLAC format, & the Isolation Music Video (SPECIAL ED.)

\n\n\n\n”, “commentid”: “66b3dc6403f6f0000126ab81”, “plaintext”: “Streaming in FLAC format, & the Isolation Music Video (SPECIAL ED.)\n\n\n\n”, “featureimage”: null, “featured”: 0, “type”: “page”, “status”: “published”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-08-07T20:43:16.000Z”, “updatedat”: “2024-08-07T21:44:52.000Z”, “publishedat”: “2023-11-17T20:46:00.000Z”, “customexcerpt”: null, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: null, “showtitleandfeatureimage”: 1 }, { “id”: “66cf5e8f04249400013ea027”, “uuid”: “6c37e4b0-16e7-4370-a674-8b99d5a5220a”, “title”: “Grandfathered In....”, “slug”: “grandfathered-in”, “mobiledoc”: null, “lexical”: “{\“root\”:{\“children\”:[{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“Proud to announce that my daughter and her husband are expecting a little girl in February, Adeline Rose Merz. \“,\“type\”:\“extended-text\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“type\”:\“linebreak\“,\“version\”:1},{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“And of course I am so excited for the opportunity to be the hottest most handsome grandfather on the face of the planet. \“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“That is all for now... \“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1},{\“children\”:[{\“detail\”:0,\“format\”:0,\“mode\”:\“normal\“,\“style\”:\”\“,\“text\”:\“B\“,\“type\”:\“extended-text\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“paragraph\“,\“version\”:1}],\“direction\”:\“ltr\“,\“format\”:\”\“,\“indent\”:0,\“type\”:\“root\“,\“version\”:1}}“, “html”: “

Proud to announce that my daughter and her husband are expecting a little girl in February, Adeline Rose Merz.

And of course I am so excited for the opportunity to be the hottest most handsome grandfather on the face of the planet.

That is all for now...

B

”, “commentid”: “66cf5e8f04249400013ea027”, “plaintext”: “Proud to announce that my daughter and her husband are expecting a little girl in February, Adeline Rose Merz.\n\nAnd of course I am so excited for the opportunity to be the hottest most handsome grandfather on the face of the planet.\n\nThat is all for now...\n\nB”, “featureimage”: null, “featured”: 0, “type”: “post”, “status”: “sent”, “locale”: null, “visibility”: “members”, “emailrecipientfilter”: “all”, “createdat”: “2024-08-28T17:29:51.000Z”, “updatedat”: “2024-08-28T17:39:11.000Z”, “publishedat”: “2024-08-28T17:39:11.000Z”, “customexcerpt”: “Just a quick note of family news here”, “codeinjectionhead”: null, “codeinjectionfoot”: null, “customtemplate”: null, “canonicalurl”: null, “newsletterid”: “66843223c2529e0001a6daa5”, “showtitleandfeatureimage”: 1 } ], “postsauthors”: [ { “id”: “666a63175f895f000853576f”, “postid”: “666a63175f895f000853576e”, “authorid”: “1”, “sortorder”: 0 }, { “id”: “666ac9c422df650001173934”, 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I’ve done model shoots before where it was clear that the model had been using meth—not during the shoot itself, but you could tell they were struggling with addiction. Sometimes, it didn’t even register until I was deep into editing. Meth leaves this awful effect on the skin tone—an unhealthy, blackish-green tint that makes the skin look sickly and dark in the worst way, like a thin layer of death stretching across the surface. It’s subtle but unmistakable, and it demands far more time in post-processing to fix.

Correcting it isn’t easy, but it’s not impossible. You can’t just slap on a standard skin tone or color overlay—it’ll end up looking unnatural, often too red or uneven. Instead, it requires delicate, intricate techniques: layering, blending, and balancing different combinations to achieve a realistic, healthy look. The challenge is that every shoot is different—lighting, environment, and the overall vibe of the set all play a part, making it a unique puzzle every time. Fixing this in post is a chore and takes time I’d much rather spend on creative edits.

Sadly, I’ve noticed more and more models turning to meth. It’s cheaper than cocaine and helps with weight loss, but the cost to their health and appearance is immense. I’m not here to judge—people make their own choices—but I can’t deny how frustrating it is when I have to spend hours editing skin tones back to normal.

These days, I don’t do much model photography anymore. The exceptions are a handful of women I know and trust—beautiful, confident, and thankfully free of that kind of baggage. At least with them, I can focus on creativity rather than damage control.

I’ve done model shoots before where it was clear that the model had been using meth—not during the shoot itself, but you could tell they were struggling with addiction. Sometimes, it didn’t even register until I was deep into editing. Meth leaves this awful effect on the skin tone—an unhealthy, blackish-green tint that makes the skin look sickly and dark in the worst way, like a thin layer of death stretching across the surface. It’s subtle but unmistakable, and it demands far more time in post-processing to fix.

Correcting it isn’t easy, but it’s not impossible. You can’t just slap on a standard skin tone or color overlay—it’ll end up looking unnatural, often too red or uneven. Instead, it requires delicate, intricate techniques: layering, blending, and balancing different combinations to achieve a realistic, healthy look. The challenge is that every shoot is different—lighting, environment, and the overall vibe of the set all play a part, making it a unique puzzle every time. Fixing this in post is a chore and takes time I’d much rather spend on creative edits.

Sadly, I’ve noticed more and more models turning to meth. It’s cheaper than cocaine and helps with weight loss, but the cost to their health and appearance is immense. I’m not here to judge—people make their own choices—but I can’t deny how frustrating it is when I have to spend hours editing skin tones back to normal.

These days, I don’t do much model photography anymore. The exceptions are a handful of women I know and trust—beautiful, confident, and thankfully free of that kind of baggage. At least with them, I can focus on creativity rather than damage control.

I’ve done model shoots before where it was clear that the model had been using meth—not during the shoot itself, but you could tell they were struggling with addiction. Sometimes, it didn’t even register until I was deep into editing. Meth leaves this awful effect on the skin tone—an unhealthy, blackish-green tint that makes the skin look sickly and dark in the worst way, like a thin layer of death stretching across the surface. It’s subtle but unmistakable, and it demands far more time in post-processing to fix.

Correcting it isn’t easy, but it’s not impossible. You can’t just slap on a standard skin tone or color overlay—it’ll end up looking unnatural, often too red or uneven. Instead, it requires delicate, intricate techniques: layering, blending, and balancing different combinations to achieve a realistic, healthy look. The challenge is that every shoot is different—lighting, environment, and the overall vibe of the set all play a part, making it a unique puzzle every time. Fixing this in post is a chore and takes time I’d much rather spend on creative edits.

Sadly, I’ve noticed more and more models turning to meth. It’s cheaper than cocaine and helps with weight loss, but the cost to their health and appearance is immense. I’m not here to judge—people make their own choices—but I can’t deny how frustrating it is when I have to spend hours editing skin tones back to normal.

These days, I don’t do much model photography anymore. The exceptions are a handful of women I know and trust—beautiful, confident, and thankfully free of that kind of baggage. And with them, I can focus primarily on creativity rather than damage control.

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apple music spotify youtube music amazon music soundcloud ​​​​​​​Tidal Purchase Download

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It took 35 working hours to write, mix, master and produce, while the others took many months. It's one of the few pieces I did not explore different interpretations, so there were no Isolation Sessions. The \“Live Demo\” performed in January 2019 is the track's conception. In that track, you hear the song created in real-time; work on the interpretations began starting May of 2021) due to unfortunate events of the past year, this was NOT a joy to write, engineer, or overall produce... the stabbing strings in a sloppy rhythm while scratching violas and violins are more my anger at having to complete this than me writing music. I hope you all find your way to enjoy these pieces a lot more than I did in producing them.“]]],[1,“p”,[[1,[],0,0],[0,[1],0,”\“THE MALEFIC POSSESSION\“”],[1,[],0,1],[0,[],1,“ISOLATION: THE MALEFIC POSSESSION I & II”],[0,[],0,” – I produced these tracks initially to be one complete track. Even though it flows smoothly, each half is significantly very different from one another. To no longer have long intros & \“get to the intensity quicker\” in my music; I didn't want to make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So, I split them right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah's voice samples), then rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. See below the Track Analysis on how they're different musically.“]]],[1,“p”,[[1,[],0,2],[0,[1],1,”\“Remaster '22\“”],[1,[],0,3],[0,[],0,“This version of \“Isolation\” is the original track opened up and remastered. This version is how I meant it to be perceived when I mixed and mastered it in the studio in 2019, only to have the process of distribution and compression fuck it up. In this version, the bass surrounds you; instead of being lost and crushed down to an audible one, you can feel it in this version. The overdriven sound is allowed to breathe, and depth is in-between with a clear midrange. You can detect the space compared to the original. I've gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on almost any system you play it on.“]]],[1,“p”,[]],[1,“p”,[[0,[],0,“TRACK ANALYSIS”],[1,[],0,4],[0,[],0,“I – ISOLATION (REMASTER '22) – IS 4 MINUTES AND 14 SECONDS LONG. IT'S IN THE KEY OF G MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. THE LOUDNESS IS -12.98 DB, AND THE TEMPO IS AROUND 114.89 BPM. “]]],[1,“p”,[[1,[],0,5],[0,[],0,“II – ISOLATION: THE MALEFIC POSSESSION, PT. I (THE CHANGELING) – IS 2 MINUTES AND 4 SECONDS LONG. IT'S IN THE KEY OF F MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. 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July 28, 2022

“THE ISOLATION SESSIONS” IS THE LAST OF THE ARETE SERIES.

A MEDITATIVE RELEASE FOR THE SHADOW-SELF

All of the session releases up to this point have been comprised of revisited material and remasters of the reviewed material, so all writing, recording, and overall production had been done during the session recording of “Arete.” Unfortunately, that wasn't the case with Isolation. “Isolation” unexpectedly became the most beloved track of the collection. It took 35 working hours to write, mix, master and produce, while the others took many months. It's one of the few pieces I did not explore different interpretations, so there were no Isolation Sessions. The “Live Demo” performed in January 2019 is the track's conception. In that track, you hear the song created in real-time; work on the interpretations began starting May of 2021) due to unfortunate events of the past year, this was NOT a joy to write, engineer, or overall produce... the stabbing strings in a sloppy rhythm while scratching violas and violins are more my anger at having to complete this than me writing music. I hope you all find your way to enjoy these pieces a lot more than I did in producing them.

“THE MALEFIC POSSESSION”
ISOLATION: THE MALEFIC POSSESSION I & II – I produced these tracks initially to be one complete track. Even though it flows smoothly, each half is significantly very different from one another. To no longer have long intros & “get to the intensity quicker” in my music; I didn't want to make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So, I split them right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah's voice samples), then rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. See below the Track Analysis on how they're different musically.

“Remaster '22”
This version of “Isolation” is the original track opened up and remastered. This version is how I meant it to be perceived when I mixed and mastered it in the studio in 2019, only to have the process of distribution and compression fuck it up. In this version, the bass surrounds you; instead of being lost and crushed down to an audible one, you can feel it in this version. The overdriven sound is allowed to breathe, and depth is in-between with a clear midrange. You can detect the space compared to the original. I've gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on almost any system you play it on.

TRACK ANALYSIS
I – ISOLATION (REMASTER '22)  - IS 4 MINUTES AND 14 SECONDS LONG. IT'S IN THE KEY OF G MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. THE LOUDNESS IS -12.98 DB, AND THE TEMPO IS AROUND 114.89 BPM.

II – ISOLATION: THE MALEFIC POSSESSION, PT. I (THE CHANGELING) – IS 2 MINUTES AND 4 SECONDS LONG. IT'S IN THE KEY OF F MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. THE LOUDNESS IS -16.95 DB, AND THE TEMPO IS AROUND 135.19 BPM.
III – ISOLATION: THE MALEFIC POSSESSION, PT. 2 (THE CONSUMMATE) -IS 3 MINUTES AND 27 SECONDS LONG. IT'S IN THE KEY OF D-SHARP MAJOR, AND THE TIME SIGNATURE IS 1 BEAT PER MEASURE (HOW UNUSUAL). THE LOUDNESS IS -14.26, AND THE TEMPO IS AROUND 187.57 BPM.

IV – ISOLATION (HEROIN HOTEL) – IS 3 MINUTES AND 21 SECONDS LONG. IT'S IN THE KEY OF G MAJOR, AND THE TIME SIGNATURE IS 3 BEATS PER MEASURE. LOUDNESS IS -20.63 DB, AND THE TEMPO IS AROUND 69.08 BPM.

V – ISOLATION (LIVE DEMO) – IS 3 MINUTES AND 56 SECONDS LONG. IT'S IN THE KEY OF A MINOR, AND THE TIME SIGNATURE IS 3 BEATS PER MEASURE. LOUDNESS IS -14.83 DB, AND THE TEMPO IS AROUND 111.46 BPM.

commentid 6337d0f7f168bf003dbbaec1 plaintext July 28, 2022

“THE ISOLATION SESSIONS” IS THE LAST OF THE ARETE SERIES.

A MEDITATIVE RELEASE FOR THE SHADOW-SELF

All of the session releases up to this point have been comprised of revisited material and remasters of the reviewed material, so all writing, recording, and overall production had been done during the session recording of “Arete.” Unfortunately, that wasn't the case with Isolation. “Isolation” unexpectedly became the most beloved track of the collection. It took 35 working hours to write, mix, master and produce, while the others took many months. It's one of the few pieces I did not explore different interpretations, so there were no Isolation Sessions. The “Live Demo” performed in January 2019 is the track's conception. In that track, you hear the song created in real-time; work on the interpretations began starting May of 2021) due to unfortunate events of the past year, this was NOT a joy to write, engineer, or overall produce... the stabbing strings in a sloppy rhythm while scratching violas and violins are more my anger at having to complete this than me writing music. I hope you all find your way to enjoy these pieces a lot more than I did in producing them.

“THE MALEFIC POSSESSION” ISOLATION: THE MALEFIC POSSESSION I & II – I produced these tracks initially to be one complete track. Even though it flows smoothly, each half is significantly very different from one another. To no longer have long intros & “get to the intensity quicker” in my music; I didn't want to make someone have to sit through the pure sadness and sorrow of PT. 1 to get to the madness and intense chaos of PT. 2. So, I split them right at the key change. Engineering this one produced 77 individual instrument tracks of sounds designed & (Tesah's voice samples), then rendered in chunks & spliced together all in 24bit resolution at a 96Khz sample rate. See below the Track Analysis on how they're different musically.

“Remaster '22” This version of “Isolation” is the original track opened up and remastered. This version is how I meant it to be perceived when I mixed and mastered it in the studio in 2019, only to have the process of distribution and compression fuck it up. In this version, the bass surrounds you; instead of being lost and crushed down to an audible one, you can feel it in this version. The overdriven sound is allowed to breathe, and depth is in-between with a clear midrange. You can detect the space compared to the original. I've gotten messages on how this piece has served as a meditative tool for some of you. This version will be even more immersive on almost any system you play it on.

TRACK ANALYSIS I – ISOLATION (REMASTER '22)  - IS 4 MINUTES AND 14 SECONDS LONG. IT'S IN THE KEY OF G MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. THE LOUDNESS IS -12.98 DB, AND THE TEMPO IS AROUND 114.89 BPM.

II – ISOLATION: THE MALEFIC POSSESSION, PT. I (THE CHANGELING) – IS 2 MINUTES AND 4 SECONDS LONG. IT'S IN THE KEY OF F MAJOR, AND THE TIME SIGNATURE IS 4 BEATS PER MEASURE. THE LOUDNESS IS -16.95 DB, AND THE TEMPO IS AROUND 135.19 BPM. III – ISOLATION: THE MALEFIC POSSESSION, PT. 2 (THE CONSUMMATE) -IS 3 MINUTES AND 27 SECONDS LONG. IT'S IN THE KEY OF D-SHARP MAJOR, AND THE TIME SIGNATURE IS 1 BEAT PER MEASURE (HOW UNUSUAL). THE LOUDNESS IS -14.26, AND THE TEMPO IS AROUND 187.57 BPM.

IV – ISOLATION (HEROIN HOTEL) – IS 3 MINUTES AND 21 SECONDS LONG. IT'S IN THE KEY OF G MAJOR, AND THE TIME SIGNATURE IS 3 BEATS PER MEASURE. LOUDNESS IS -20.63 DB, AND THE TEMPO IS AROUND 69.08 BPM.

V – ISOLATION (LIVE DEMO) – IS 3 MINUTES AND 56 SECONDS LONG. IT'S IN THE KEY OF A MINOR, AND THE TIME SIGNATURE IS 3 BEATS PER MEASURE. LOUDNESS IS -14.83 DB, AND THE TEMPO IS AROUND 111.46 BPM.

feature_image GHOST_URL/content/images/2022/10/cover.jpg featured 0 type page status published locale visibility public emailrecipientfilter all createdat 2022-10-01T05:32:39.000Z updatedat 2022-10-15T15:25:47.000Z publishedat 2022-07-28T05:39:00.000Z customexcerpt “THE ISOLATION SESSIONS” IS THE LAST OF THE ARETE SERIES. A MEDITATIVE RELEASE FOR THE SHADOW-SELF codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletter_id id 6337d3f0f168bf003dbbaefa uuid 0bff993f-bcf8-4192-8692-c0e000ffc632 title Hex slug hex mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[[“audio”,{“loop”:false,“src”:”GHOST_URL/content/media/2022/10/05-Hex-Prognosticator-Mix-REMASTERED.mp3”,“title”:“05 Hex Prognosticator Mix REMASTERED”,“duration”:266.1877551020408,“mimeType”:“audio/mpeg”}]],“markups”:[],“sections”:[[1,“p”,[[0,[],0,“The Hex sessions are a collection of variations of the piece and the remastered original work. Demos, interpretations, and other all-together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option before deciding on the final product.”]]],[1,“p”,[[0,[],0,“Hex Remastered – (3:49)“]]],[1,“p”,[[0,[],0,“Hex The Dark Version Radio Edit – (3:38)“]]],[1,“p”,[[0,[],0,“Hex The Diviner Mix – (4:11)“]]],[1,“p”,[[0,[],0,“Hex Slammed Mix Brian Yegge Remix – (4:10)“]]],[1,“p”,[[0,[],0,“Hex Prognosticator mix Remastered – (4:26)“]]],[10,0],[1,“p”,[[0,[],0,“Hex The Obstinate Mix – (4:32)“]]],[1,“p”,[[0,[],0,“Hex Just the Witches Stripped – (2:11)“]]]],“ghostVersion”:“4.0”} lexical html

The Hex sessions are a collection of variations of the piece and the remastered original work. Demos, interpretations, and other all-together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option before deciding on the final product.

Hex Remastered – (3:49)

Hex The Dark Version Radio Edit –  (3:38)

Hex The Diviner Mix –  (4:11)

Hex Slammed Mix Brian Yegge Remix –  (4:10)

Hex Prognosticator mix Remastered –  (4:26)

Hex The Obstinate Mix –  (4:32)

Hex Just the Witches Stripped –  (2:11)

comment_id 6337d3f0f168bf003dbbaefa plaintext The Hex sessions are a collection of variations of the piece and the remastered original work. Demos, interpretations, and other all-together perspective mixes of the song with changing dynamics. Sound quality may vary as some are demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option before deciding on the final product.

Hex Remastered – (3:49)

Hex The Dark Version Radio Edit –  (3:38)

Hex The Diviner Mix –  (4:11)

Hex Slammed Mix Brian Yegge Remix –  (4:10)

Hex Prognosticator mix Remastered –  (4:26)

05 Hex Prognosticator Mix REMASTERED0:00/4:261×

Hex The Obstinate Mix –  (4:32)

Hex Just the Witches Stripped –  (2:11) feature_image GHOST_URL/content/images/2022/10/53D5F464-0E69-4FC0-939C-3751B71A32EE.png featured 0 type page status published locale visibility public emailrecipientfilter all createdat 2022-10-01T05:45:20.000Z updatedat 2022-10-26T16:17:34.000Z publishedat 2021-05-26T00:50:00.000Z customexcerpt The Hex sessions are a collection of variations of the piece and the remastered original work. codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 6337d472f168bf003dbbaf04 uuid 3e50f528-cb97-43cd-8041-af047432bf1f title Envy slug envy mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[],“markups”:[],“sections”:[[1,“p”,[[0,[],0,“The Envy sessions is a collection of variations of the piece and the original work itself remastered: demos, interpretations, and different altogether perspective mixes of the song with changing dynamics. Sound quality may vary as some are, in fact, demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can before deciding on the final product. Adept \“The Glitter Fairies Edition\” is a little added treat to break up the repetitiveness.“]]],[1,“blockquote”,[[0,[],0,“1. Envy Reinterpreted Remastered (2:34)“]]],[1,“blockquote”,[[0,[],0,“2. Envy Remastered (2:34)“]]],[1,“blockquote”,[[0,[],0,“3. Envy Full Suicided Version VIP Mix (2:42)“]]],[1,“blockquote”,[[0,[],0,“4. Envy Tight Mix – Remix (2:34)“]]],[1,“blockquote”,[[0,[],0,“5. Envy Meditative Mix (2:38)“]]],[1,“blockquote”,[[0,[],0,“6. ADEPT Glitter Fairies Edition (4:30)“]]],[1,“blockquote”,[[0,[],0,“7. Envy No Strings Attached (2:32)“]]]],“ghostVersion”:“4.0”} lexical html

The Envy sessions is a collection of variations of the piece and the original work itself remastered: demos, interpretations, and different altogether perspective mixes of the song with changing dynamics. Sound quality may vary as some are, in fact, demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can before deciding on the final product. Adept “The Glitter Fairies Edition” is a little added treat to break up the repetitiveness.

1. Envy Reinterpreted Remastered  (2:34)

2. Envy Remastered (2:34)

3. Envy Full Suicided Version VIP Mix  (2:42)

4. Envy Tight Mix – Remix (2:34)

5. Envy Meditative Mix (2:38)

6. ADEPT Glitter Fairies Edition (4:30)

7. Envy No Strings Attached (2:32)

commentid 6337d472f168bf003dbbaf04 plaintext The Envy sessions is a collection of variations of the piece and the original work itself remastered: demos, interpretations, and different altogether perspective mixes of the song with changing dynamics. Sound quality may vary as some are, in fact, demos, but this is the first attempt at showing the evolution of a piece of music and how I go through and exhaust every possible option I can before deciding on the final product. Adept “The Glitter Fairies Edition” is a little added treat to break up the repetitiveness.

1. Envy Reinterpreted Remastered  (2:34)

2. Envy Remastered (2:34)

3. Envy Full Suicided Version VIP Mix  (2:42)

4. Envy Tight Mix – Remix (2:34)

5. Envy Meditative Mix (2:38)

6. ADEPT Glitter Fairies Edition (4:30)

7. Envy No Strings Attached (2:32) featureimage featured 0 type page status published locale visibility public emailrecipientfilter all createdat 2022-10-01T05:47:30.000Z updatedat 2022-10-26T17:38:59.000Z publishedat 2021-05-26T00:51:00.000Z customexcerpt The Envy sessions is a collection of variations of the piece and the original piece itself remastered. Demos, variations, and different altogether perspective mixes of the song with changing dynamics. codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 6337d4d9f168bf003dbbaf11 uuid 1e03d169-8040-43e1-9374-60e35b62a19a title Arete slug arete mobiledoc {“version”:“0.3.1”,“atoms”:[[“soft-return”,“”,{}],[“soft-return”,“”,{}],[“soft-return”,“”,{}],[“soft-return”,“”,{}],[“soft-return”,“”,{}]],“cards”:[[“markdown”,{“markdown”:”Apple Music\nSpotify\niTunes\nDeezer\nTidal\n”}],[“gallery”,{“images”:[{“fileName”:“1Original.png”,“row”:0,“width”:2704,“height”:1536,“src”:”GHOST_URL/content/images/2022/10/1Original.png”},{“fileName”:“2Original.png”,“row”:0,“width”:2049,“height”:1695,“src”:”GHOST_URL/content/images/2022/10/2Original.png”},{“fileName”:“D5B97549-4562-4F81-A30E-F4384D1EA0FE.png”,“row”:0,“width”:1144,“height”:1144,“src”:”GHOST_URL/content/images/2022/10/D5B97549-4562-4F81-A30E-F4384D1EA0FE.png”},{“fileName”:“IMG_7403.png”,“row”:1,“width”:12500,“height”:12500,“src”:”GHOST_URL/content/images/2022/10/IMG7403.png”}],“caption”:“The inside of the album if CD were printed and in demand.”}],[“hr”,{}],[“paywall”,{}],[“gallery”,{“images”:[{“fileName”:“2019-03-2820-09-01.jpeg”,“row”:0,“width”:1626,“height”:1364,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-09-01.jpeg”},{“fileName”:“2019-03-2820-11-45.jpeg”,“row”:0,“width”:1626,“height”:1276,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-11-45.jpeg”},{“fileName”:“2019-03-2820-20-02.jpeg”,“row”:0,“width”:1626,“height”:1276,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-20-02.jpeg”},{“fileName”:“2019-03-2820-28-29.jpeg”,“row”:1,“width”:1626,“height”:1276,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-28-29.jpeg”},{“fileName”:“2019-03-2820-36-47.jpeg”,“row”:1,“width”:1626,“height”:1276,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-36-47.jpeg”},{“fileName”:“2019-03-2820-37-56.jpeg”,“row”:1,“width”:1626,“height”:1364,“src”:”GHOST_URL/content/images/2022/10/2019-03-2820-37-56.jpeg”},{“fileName”:“2019-04-0119-55-41 (1).jpeg”,“row”:2,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-04-0119-55-41—1-.jpeg”}],“caption”:“Arete Batch 1”}],[“gallery”,{“images”:[{“fileName”:“2019-04-1416-28-28.jpeg”,“row”:0,“width”:854,“height”:709,“src”:”GHOST_URL/content/images/2022/10/2019-04-1416-28-28.jpeg”},{“fileName”:“2019-05-1818-04-26.jpeg”,“row”:0,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-05-1818-04-26.jpeg”},{“fileName”:“2019-07-0303-19-01.jpeg”,“row”:0,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-07-0303-19-01.jpeg”},{“fileName”:“2019-07-0303-55-51.jpeg”,“row”:1,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-07-0303-55-51.jpeg”},{“fileName”:“2019-07-0303-58-19.jpeg”,“row”:1,“width”:2069,“height”:1208,“src”:”GHOST_URL/content/images/2022/10/2019-07-0303-58-19.jpeg”},{“fileName”:“2019-07-0304-15-02.jpeg”,“row”:1,“width”:2560,“height”:1367,“src”:”GHOST_URL/content/images/2022/10/2019-07-0304-15-02.jpeg”}],“caption”:“Arete Batch 2”}],[“gallery”,{“images”:[{“fileName”:“2019-07-0616-16-37.jpeg”,“row”:0,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-07-0616-16-37.jpeg”},{“fileName”:“2019-07-0702-58-52.jpeg”,“row”:0,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-07-0702-58-52.jpeg”},{“fileName”:“2019-07-1415-37-17.jpeg”,“row”:0,“width”:2560,“height”:1362,“src”:”GHOST_URL/content/images/2022/10/2019-07-1415-37-17.jpeg”},{“fileName”:“2019-07-1418-41-34.jpeg”,“row”:1,“width”:2560,“height”:1362,“src”:”GHOST_URL/content/images/2022/10/2019-07-1418-41-34.jpeg”},{“fileName”:“2019-07-1522-31-08.jpeg”,“row”:1,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/2019-07-1522-31-08.jpeg”},{“fileName”:“2019-07-2200-27-47.jpeg”,“row”:1,“width”:2342,“height”:727,“src”:”GHOST_URL/content/images/2022/10/2019-07-2200-27-47.jpeg”},{“fileName”:“2019-07-2200-45-27.jpeg”,“row”:2,“width”:2151,“height”:1276,“src”:”GHOST_URL/content/images/2022/10/2019-07-22_00-45-27.jpeg”},{“fileName”:“A47E1D24-AD0E-4B8D-9368-C9ED5163E321.jpeg”,“row”:2,“width”:907,“height”:640,“src”:”GHOST_URL/content/images/2022/10/A47E1D24-AD0E-4B8D-9368-C9ED5163E321.jpeg”},{“fileName”:“Image 10-21-18 at 8.39 AM.jpeg”,“row”:2,“width”:2560,“height”:1440,“src”:”GHOST_URL/content/images/2022/10/Image-10-21-18-at-8.39-AM.jpeg”}],“caption”:“Arete Batch 3”}],[“gallery”,{“images”:[{“fileName”:“Image 16 (1).jpeg”,“row”:0,“width”:390,“height”:389,“src”:”GHOST_URL/content/images/2022/10/Image-16—1-.jpeg”},{“fileName”:“Image 16 (2).jpeg”,“row”:0,“width”:390,“height”:389,“src”:”GHOST_URL/content/images/2022/10/Image-16—2-.jpeg”},{“fileName”:“Image 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4”}],[“gallery”,{“images”:[{“fileName”:“IMG0474.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0474-1.jpeg”},{“fileName”:“IMG0475.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0475.jpeg”},{“fileName”:“IMG0697.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0697.jpeg”},{“fileName”:“IMG0736.jpeg”,“row”:1,“width”:1002,“height”:1002,“src”:”GHOST_URL/content/images/2022/10/IMG0736.jpeg”},{“fileName”:“IMG0766.jpeg”,“row”:1,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG0766.jpeg”},{“fileName”:“IMG0771.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0771.jpeg”},{“fileName”:“IMG0794.jpeg”,“row”:2,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG0794.jpeg”},{“fileName”:“IMG0930.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0930.jpeg”},{“fileName”:“IMG0931.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0931.jpeg”}],“caption”:“Arete Batch 5”}],[“gallery”,{“images”:[{“fileName”:“IMG0961.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0961.jpeg”},{“fileName”:“IMG0962.jpeg”,“row”:0,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG0962.jpeg”},{“fileName”:“IMG0967.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG0967-1.jpeg”},{“fileName”:“IMG0983.jpeg”,“row”:1,“width”:1030,“height”:1288,“src”:”GHOST_URL/content/images/2022/10/IMG0983.jpeg”},{“fileName”:“IMG0996.jpeg”,“row”:1,“width”:2048,“height”:1152,“src”:”GHOST_URL/content/images/2022/10/IMG0996.jpeg”},{“fileName”:“IMG0999.jpeg”,“row”:2,“width”:3024,“height”:3021,“src”:”GHOST_URL/content/images/2022/10/IMG0999.jpeg”},{“fileName”:“IMG1022.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1022.jpeg”},{“fileName”:“IMG1023.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1023.jpeg”}],“caption”:“Arete Batch 6”}],[“gallery”,{“images”:[{“fileName”:“IMG1025.jpeg”,“row”:0,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG1025.jpeg”},{“fileName”:“IMG1130.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1130.jpeg”},{“fileName”:“IMG1169.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1169.jpeg”},{“fileName”:“IMG1206.jpeg”,“row”:1,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG1206.jpeg”},{“fileName”:“IMG1269.jpeg”,“row”:1,“width”:6114,“height”:3892,“src”:”GHOST_URL/content/images/2022/10/IMG1269.jpeg”},{“fileName”:“IMG1270.jpeg”,“row”:1,“width”:5792,“height”:3814,“src”:”GHOST_URL/content/images/2022/10/IMG1270.jpeg”},{“fileName”:“IMG1345.jpeg”,“row”:2,“width”:550,“height”:688,“src”:”GHOST_URL/content/images/2022/10/IMG1345.jpeg”},{“fileName”:“IMG1348.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1348.jpeg”},{“fileName”:“IMG1353.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1353.jpeg”}],“caption”:“Arete Batch 10”}],[“gallery”,{“images”:[{“fileName”:“IMG1370.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1370.jpeg”},{“fileName”:“IMG1612.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1612.jpeg”},{“fileName”:“IMG1651.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1651.jpeg”},{“fileName”:“IMG1657.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1657.jpeg”},{“fileName”:“IMG1745.jpeg”,“row”:1,“width”:1242,“height”:2024,“src”:”GHOST_URL/content/images/2022/10/IMG1745.jpeg”},{“fileName”:“IMG1768.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1768.jpeg”},{“fileName”:“IMG1866.jpeg”,“row”:2,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG1866.jpeg”},{“fileName”:“IMG1938.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1938.jpeg”},{“fileName”:“IMG1942.jpeg”,“row”:2,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1942.jpeg”}],“caption”:“Arete Batch 11”}],[“gallery”,{“images”:[{“fileName”:“IMG1943.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1943.jpeg”},{“fileName”:“IMG1944.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1944.jpeg”},{“fileName”:“IMG1960.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG1960.jpeg”},{“fileName”:“IMG2180.jpeg”,“row”:1,“width”:1242,“height”:1551,“src”:”GHOST_URL/content/images/2022/10/IMG2180.jpeg”},{“fileName”:“IMG2198.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG2198.jpeg”},{“fileName”:“IMG2227.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG2227.jpeg”},{“fileName”:“IMG2289.jpeg”,“row”:2,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG2289.jpeg”},{“fileName”:“IMG2177.jpeg”,“row”:2,“width”:1239,“height”:1396,“src”:”GHOST_URL/content/images/2022/10/IMG2177-1.jpeg”}],“caption”:“Arete Batch 12”}],[“gallery”,{“images”:[{“fileName”:“IMG2257.jpeg”,“row”:0,“width”:889,“height”:1280,“src”:”GHOST_URL/content/images/2022/10/IMG2257-1.jpeg”},{“fileName”:“IMG2289.jpeg”,“row”:0,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG2289-1.jpeg”},{“fileName”:“IMG2382.jpeg”,“row”:0,“width”:936,“height”:932,“src”:”GHOST_URL/content/images/2022/10/IMG2382.jpeg”},{“fileName”:“IMG2405.jpeg”,“row”:1,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG2405.jpeg”},{“fileName”:“IMG2441.jpeg”,“row”:1,“width”:1190,“height”:2120,“src”:”GHOST_URL/content/images/2022/10/IMG2441.jpeg”},{“fileName”:“IMG2442.jpeg”,“row”:1,“width”:1242,“height”:2313,“src”:”GHOST_URL/content/images/2022/10/IMG2442.jpeg”},{“fileName”:“IMG2445.jpeg”,“row”:2,“width”:1242,“height”:1635,“src”:”GHOST_URL/content/images/2022/10/IMG2445.jpeg”},{“fileName”:“IMG2481.jpeg”,“row”:2,“width”:1242,“height”:2688,“src”:”GHOST_URL/content/images/2022/10/IMG2481.jpeg”},{“fileName”:“IMG2630-1.jpeg”,“row”:2,“width”:390,“height”:389,“src”:”GHOST_URL/content/images/2022/10/IMG2630-1.jpeg”}],“caption”:“Arete Batch 13”}],[“gallery”,{“images”:[{“fileName”:“IMG2744.jpeg”,“row”:0,“width”:3024,“height”:4032,“src”:”GHOST_URL/content/images/2022/10/IMG2744.jpeg”},{“fileName”:“IMG2853.jpeg”,“row”:0,“width”:4032,“height”:3024,“src”:”GHOST_URL/content/images/2022/10/IMG2853.jpeg”},{“fileName”:“IMG4938.jpeg”,“row”:0,“width”:960,“height”:960,“src”:”GHOST_URL/content/images/2022/10/IMG_4938.jpeg”}],“caption”:“Arete Batch 14”}]],“markups”:[[“a”,[“href”,“angershade.com/hex”]],[“a”,[“href”,“angershade.com/isolation”]],[“a”,[“href”,“https://angershade.com/hex"]],["a",["href","https://angershade.com/envy"]],["a",["href","https://angershade.com/the-isolation-sessions"]],["a",["href","https://www.icloud.com/sharedalbum/#B0S5ZBCwPac2l6"]]],"sections":[[10,0],[1,"p",[[0,[],0,""The notion of the fulfillment of purpose or function\” “]]],[1,“p”,[[0,[],0,“December 05, 2019”]]],[1,“p”,[[0,[],0,”\“All music written and arranged by Brian Yegge\” \“Production & Engineering Brian Yegge\” “],[1,[],0,0],[0,[],0,”\“All instruments performed by Brian Yegge Voices on “”],[0,[0],1,“Hex”],[0,[],0,“” & “”],[0,[1],1,“Isolation”],[0,[],0,“” performed by “the witches””]]],[1,“p”,[[0,[],0,“ADEPT Adept is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm. “],[1,[],0,1],[0,[2],1,“Hex”],[0,[],0,” Hex is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm. “],[1,[],0,2],[0,[3],1,“ENVY”],[0,[],0,” Envy is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm. “],[1,[],0,3],[0,[4],1,“ISOLATION”],[0,[],0,” Isolation is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm. “],[1,[],0,4],[0,[3],1,“ENVY (REINTERPRETED)”],[0,[],0,” Envy (Reinterpreted) is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -17.83 db and the tempo is around 112.10 bpm.“]]],[10,1],[10,2],[10,3],[1,“p”,[[0,[],0,“Pictures during the making of \“Arete\“”]]],[1,“p”,[[0,[5],1,“Checkout the iCloud Share edition photo album”]]],[10,4],[10,5],[10,6],[10,7],[10,8],[10,9],[10,10],[10,11],[10,12],[10,13],[10,14],[1,“p”,[]],[1,“p”,[]]],“ghostVersion”:“4.0”} lexical html

   Apple Music
   Spotify
   iTunes
   Deezer
   Tidal

   “The notion of the fulfillment of purpose or function”

   December 05, 2019

   “All music written and arranged by Brian Yegge” “Production & Engineering Brian Yegge”
   “All instruments performed by Brian Yegge Voices on “Hex” & “Isolation” performed by “the witches”

   ADEPT Adept is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm.
   Hex Hex is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm.
   ENVY Envy is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm.
   ISOLATION Isolation is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm.
   ENVY (REINTERPRETED) Envy (Reinterpreted) is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -17.83 db and the tempo is around 112.10 bpm.

   

   

   

   

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   Pictures during the making of “Arete”

   Checkout the iCloud Share edition photo album

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   comment_id 6337d4d9f168bf003dbbaf11 plaintext Apple Music

Spotify

iTunes

Deezer

Tidal

“The notion of the fulfillment of purpose or function”

December 05, 2019

“All music written and arranged by Brian Yegge” “Production & Engineering Brian Yegge” “All instruments performed by Brian Yegge Voices on “Hex” & “Isolation” performed by “the witches”

ADEPT Adept is 5 minutes and 54 seconds long. It's in the key of C-sharp major and the time signature is 4 beats per measure. Loudness is -14.47 db and the tempo is around 132.96 bpm. Hex Hex is 3 minutes and 49 seconds long. It's in the key of F-sharp major and the time signature is 4 beats per measure. Loudness is -12.54 db and the tempo is around 149.90 bpm. ENVY Envy is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -16.37 db and the tempo is around 112.03 bpm. ISOLATION Isolation is 4 minutes and 14 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -14.89 db and the tempo is around 92.23 bpm. ENVY (REINTERPRETED) Envy (Reinterpreted) is 2 minutes and 34 seconds long. It's in the key of G major and the time signature is 4 beats per measure. Loudness is -17.83 db and the tempo is around 112.10 bpm.

Pictures during the making of “Arete”

Checkout the iCloud Share edition photo album

feature_image GHOST_URL/content/images/2022/10/57A8E7D7-D960-40A8-86CB-19F575250372.png featured 0 type page status published locale visibility members emailrecipientfilter all createdat 2022-10-01T05:49:13.000Z updatedat 2022-10-14T14:40:16.000Z publishedat 2022-10-03T00:48:33.000Z customexcerpt “The notion of the fulfillment of purpose or function” codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletter_id id 6337d5cef168bf003dbbaf2c uuid 2b0a03a0-b4fd-4a3e-8e0e-4c7b0fe2bebf title Brian Yegge slug about mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[[“hr”,{}]],“markups”:[[“a”,[“href”,“Berklee.edu”]],[“a”,[“href”,”GHOST_URL/primary”]],[“a”,[“href”,”GHOST_URL/deadboltzen”]],[“a”,[“href”,”GHOST_URL/gear”]],[“a”,[“href”,”GHOST_URL/glock”]],[“a”,[“href”,”GHOST_URL/arete”]],[“a”,[“href”,”GHOST_URL/hex”]],[“a”,[“href”,”GHOST_URL/envy”]],[“a”,[“href”,”GHOST_URL/isolation”]]],“sections”:[[1,“p”,[[0,[],0,”\tAs young as eight years of age, Brian has shown a passion & natural-born talent in music for performance and composition. In his preteen years, his talents grew to include production and engineering/sound design. At a time of limited technology and financial resources, Mr. Yegge would invent his methods to obtain the sounds he desired, then record and mix them in ways that would sound like an entire ensemble. A concept that was only achievable in professional studios at the time.“]]],[1,“p”,[[0,[],0,”\tHis talent would lead him to attend “],[0,[0],1,“Berklee College of Music”],[0,[],0,” in 1996, where he majored in production/engineering with a minor in Music Business.“]]],[1,“p”,[[0,[],0,”\tAs a performing musician, Brian's principal instrument is the Bass. He's been the bassist for many bands, including “],[0,[1],1,“Primary”],[0,[],0,” & “],[0,[2],1,“Deadbolt Zen”],[0,[],0,“. He refers to the instrument as the one that feels most natural playing in a live environment. As a studio musician, Brian performs and develops sounds for all instruments desired in his productions. However, he is known for using Bass primarily in innovative ways as a tool to achieve sounds simply due to the dark character of the instrument's tone color and tonal range. “]]],[1,“p”,[[0,[3],1,“List of Gear”],[0,[],0,” used both in-studio & on stage.“]]],[1,“h3”,[[0,[],0,“Angershade”]]],[1,“p”,[[0,[],0,”\tIn 2008 Brian founded Angershade, which he still deems today as \“a dark music project and exploration in sound design diverse from the conventional ways of modern musical composition and production\” It wouldn't be until 2014 that he would put out the first release \“”],[0,[4],1,“Glock”],[0,[],0,”\” under the Angershade moniker, but did so quietly to secure the name. A track he is not particularly fond of but happens to be a favorite among many. In 2019 Angershade would release the 5 track instrumental EP \“”],[0,[5],1,“Arete”],[0,[],0,“,\” which would be followed by two companion releases, \“”],[0,[6],1,“The Hex Sessions”],[0,[],0,”\” & \“”],[0,[7],1,“The Envy Sessions”],[0,[],0,“,\” in May of 2021. \“”],[0,[8],1,“The Isolation Sessions”],[0,[],0,“,\” slated for a June 2021 release, was held back several times for personal reasons but eventually released on July 27th, 2022.“]]],[10,0],[1,“p”,[]]],“ghostVersion”:“4.0”} lexical html

 As young as eight years of age, Brian has shown a passion & natural-born talent in music for performance and composition. In his preteen years, his talents grew to include production and engineering/sound design. At a time of limited technology and financial resources, Mr. Yegge would invent his methods to obtain the sounds he desired, then record and mix them in ways that would sound like an entire ensemble. A concept that was only achievable in professional studios at the time.

 His talent would lead him to attend Berklee College of Music in 1996, where he majored in production/engineering with a minor in Music Business.

 As a performing musician, Brian's principal instrument is the Bass. He's been the bassist for many bands, including Primary & Deadbolt Zen. He refers to the instrument as the one that feels most natural playing in a live environment. As a studio musician, Brian performs and develops sounds for all instruments desired in his productions. However, he is known for using Bass primarily in innovative ways as a tool to achieve sounds simply due to the dark character of the instrument's tone color and tonal range.  

List of Gear used both in-studio & on stage.

Angershade

 In 2008 Brian founded Angershade, which he still deems today as “a dark music project and exploration in sound design diverse from the conventional ways of modern musical composition and production” It wouldn't be until 2014 that he would put out the first release “Glock” under the Angershade moniker, but did so quietly to secure the name. A track he is not particularly fond of but happens to be a favorite among many. In 2019 Angershade would release the 5 track instrumental EP “Arete,” which would be followed by two companion releases, “The Hex Sessions” & “The Envy Sessions,” in May of 2021. “The Isolation Sessions,” slated for a June  2021 release, was held back several times for personal reasons but eventually released on July 27th, 2022.

---

comment_id 6337d5cef168bf003dbbaf2c plaintext  As young as eight years of age, Brian has shown a passion & natural-born talent in music for performance and composition. In his preteen years, his talents grew to include production and engineering/sound design. At a time of limited technology and financial resources, Mr. Yegge would invent his methods to obtain the sounds he desired, then record and mix them in ways that would sound like an entire ensemble. A concept that was only achievable in professional studios at the time.

 His talent would lead him to attend Berklee College of Music in 1996, where he majored in production/engineering with a minor in Music Business.

 As a performing musician, Brian's principal instrument is the Bass. He's been the bassist for many bands, including Primary & Deadbolt Zen. He refers to the instrument as the one that feels most natural playing in a live environment. As a studio musician, Brian performs and develops sounds for all instruments desired in his productions. However, he is known for using Bass primarily in innovative ways as a tool to achieve sounds simply due to the dark character of the instrument's tone color and tonal range.  

List of Gear used both in-studio & on stage.

Angershade

 In 2008 Brian founded Angershade, which he still deems today as “a dark music project and exploration in sound design diverse from the conventional ways of modern musical composition and production” It wouldn't be until 2014 that he would put out the first release “Glock” under the Angershade moniker, but did so quietly to secure the name. A track he is not particularly fond of but happens to be a favorite among many. In 2019 Angershade would release the 5 track instrumental EP “Arete,” which would be followed by two companion releases, “The Hex Sessions” & “The Envy Sessions,” in May of 2021. “The Isolation Sessions,” slated for a June  2021 release, was held back several times for personal reasons but eventually released on July 27th, 2022. featureimage featured 0 type page status published locale visibility public emailrecipientfilter all createdat 2022-10-01T05:53:18.000Z updatedat 2022-12-19T17:20:06.000Z publishedat 2022-10-14T13:45:59.000Z customexcerpt In 2008 Brian founded Angershade, which he still deems today as “a dark music project and exploration in sound design diverse from the conventional ways of modern musical composition and production.” codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 6337d6eed69916003db9ef61 uuid 88a307e5-ea54-43b9-82b1-e5e006b2ec88 title Eggshell 2 (Remaster 2022) slug eggshell-2-remaster-2022 mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[[“bookmark”,{“url”:“https://audio.com/angershade/eggshell-2","metadata":{"url":"http://audio.com/angershade/eggshell-2","title":"EggShell 2—The Early Years 1995-2005”,“description”:“Recorded in 1998. Remastered using Izotope’s Ozone 10. From “The Early Years 1995-2005””,“author”:null,“publisher”:“Audio.com”,“thumbnail”:“https://s3.ultimate-guitar.com/audacity.audio/audio-1745393228604244-image-1745403032721688.png?X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ROGQRDMARJQJJ35IUG5T%2F20221004%2Fus-west%2Fs3%2Faws4_request&X-Amz-Date=20221004T163911Z&X-Amz-SignedHeaders=host&X-Amz-Expires=518400&X-Amz-Signature=68302251694a89fd5df911dcc2b1009997d4a20d39e2e900becdd92bd4f7bdb0","icon":"https://audio.com/static/public/audio_com/app_icons/apple-touch-icon-512x512_ver2.png"}}]],"markups":[["a",["href","https://audio.com/angershade/eggshell-2"]]],"sections":[[1,"p",[[0,[0],1,"https://audio.com/angershade/eggshell-2"]]],[10,0],[1,"p",[]]],"ghostVersion":"4.0"} lexical html

https://audio.com/angershade/eggshell-2

EggShell 2—The Early Years 1995-2005

Recorded in 1998. Remastered using Izotope’s Ozone 10. From “The Early Years 1995-2005”

Audio.com

comment_id 6337d6eed69916003db9ef61 plaintext https://audio.com/angershade/eggshell-2

EggShell 2—The Early Years 1995-2005Recorded in 1998. Remastered using Izotope’s Ozone 10. From “The Early Years 1995-2005”Audio.com featureimage featured 0 type post status draft locale visibility public emailrecipientfilter all createdat 2022-10-01T05:58:06.000Z updatedat 2022-10-06T20:59:10.000Z publishedat customexcerpt codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 633c29d348fce0003d196d1c uuid 80315abb-1d6f-4d0f-aa4d-b79b4309a65a title Model Photography slug model-photography mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[[“image”,{“src”:”GHOST_URL/content/images/2022/10/Signature-copy-2.png”,“width”:320,“height”:240,“cardWidth”:“”,“caption”:“Yegge”}]],“markups”:[],“sections”:[[1,“p”,[[0,[],0,“I would like to take this moment to say that I have enjoyed my time with all the models I've worked with, some more than others, but all of them I love equally and wish the best. As far as edits I do still enjoy doing those, but I will reserve my talents in that area for only a very select few. I will not be taking on any new clients for the foreseeable future if ever at all. Music production, licensing, & a new band possibly in the works is my new focus now and will remain so throughout my final days.“]]],[1,“p”,[[0,[],0,“I'm 46 years old my friends... And while I've enjoyed a life of hanging out, working with, and having fun © with lots of young hot women, it's time to hang it up for good and move on.”]]],[1,“p”,[[0,[],0,“These are some of the most wonderful girls I have been blessed to have had the pleasure to work with. I will keep in touch with them of course as they will always remain my friends, but I will miss working and just having a great time with them nonetheless.”]]],[1,“p”,[[0,[],0,“Thank you all again for the opportunity, it’s been an honor.”]]],[1,“p”,[[0,[],0,“I have not ruled out photography or graphics design completely, my music will need imagery. So my skills in the area will be reserved for that.”]]],[10,0],[1,“p”,[]],[1,“p”,[]]],“ghostVersion”:“4.0”} lexical html

I would like to take this moment to say that I have enjoyed my time with all the models I've worked with, some more than others, but all of them I love equally and wish the best. As far as edits I do still enjoy doing those, but I will reserve my talents in that area for only a very select few. I will not be taking on any new clients for the foreseeable future if ever at all. Music production, licensing, & a new band possibly in the works is my new focus now and will remain so throughout my final days.

I'm 46 years old my friends... And while I've enjoyed a life of hanging out, working with, and having fun © with lots of young hot women, it's time to hang it up for good and move on.

These are some of the most wonderful girls I have been blessed to have had the pleasure to work with. I will keep in touch with them of course as they will always remain my friends, but I will miss working and just having a great time with them nonetheless.

Thank you all again for the opportunity, it’s been an honor.

I have not ruled out photography or graphics design completely, my music will need imagery. So my skills in the area will be reserved for that.

comment_id 633c29d348fce0003d196d1c plaintext I would like to take this moment to say that I have enjoyed my time with all the models I've worked with, some more than others, but all of them I love equally and wish the best. As far as edits I do still enjoy doing those, but I will reserve my talents in that area for only a very select few. I will not be taking on any new clients for the foreseeable future if ever at all. Music production, licensing, & a new band possibly in the works is my new focus now and will remain so throughout my final days.

I'm 46 years old my friends... And while I've enjoyed a life of hanging out, working with, and having fun © with lots of young hot women, it's time to hang it up for good and move on.

These are some of the most wonderful girls I have been blessed to have had the pleasure to work with. I will keep in touch with them of course as they will always remain my friends, but I will miss working and just having a great time with them nonetheless.

Thank you all again for the opportunity, it’s been an honor.

I have not ruled out photography or graphics design completely, my music will need imagery. So my skills in the area will be reserved for that.

featureimage featured 0 type post status published locale visibility members emailrecipientfilter all createdat 2022-10-04T12:40:51.000Z updatedat 2022-10-19T23:29:01.000Z publishedat 2022-09-27T04:55:00.000Z custom_excerpt These are some of the most wonderful girls I have been blessed to have had the pleasure to work with.

Thank you all again for the opportunity, it’s been an honor. codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid 6337cdaa2842730031e4b917 id 633faf4add3748003dd88f07 uuid 2e6fa39e-6a03-4abb-b8f1-a08bda77af43 title Gear slug gear mobiledoc 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STUDIO GEAR

Instruments

Native Instruments Keyboard A49 with sustain pedal

Native Instruments Mikro MK3

Fender Blacktop Precision Bass 4-string

ESP TA-604 FRX Bass 4-string

Fender Precision Bass Standard 4-string

Gibson SG3 2019

Epiphone Less Paul

Yamaha Acoustic Guitar

Yamaha Classical Guitar

Washburn XB-500 Bass 5-string (discontinued no link)

Hardware

MacBook Pro 16inch

iMac

iPad Pro

iPhone

Darkglass Alpha Omega Photon Bass Compression/Distortion Pedal/Interface

Motu M4 Audio interface

iRig I/O Pro audio interface

iRig HD Audio interface

AKG C-3000 condenser microphone (Discontinued) links to replacement

Sure SM57 Dynamic Microphone

Sure SM58 Dynamic Microphone

AKG A660 Dynamic microphone

Dual LG 34 inch Ultrawide 4K monitors

IKMultimedia Uno Synth analog synth

Three Audio Technica Studio Over Ear Headphones

2 Sandisk 500GB SSD external drives

1 WD 1TB HDD Backup drive

Amps

Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head

GK NEO-412 Cab

GK MB 115 Combo

Orange ThunderVerb

Orange

Mesa Dual Rectifier

Ampeg SVT Classic Head

Ampeg SVT4 Pro Head

Software

Logic Pro (DAW)

Audacity

Adobe Audition

iZotope mastering suite

T-Racks

Amplitude 5 & 4

NI Komplete Kontrol

NI Maschine 2

NI Battery

NI Kontakt

NI Massive X

Audulus 3

Cloud Storage & Webhosting

Google Drive Workspace Unlimited

iCloud 2TB Storage

Adobe CC 1TB

LIVE GEAR

Fender Blacktop Precision 4-string

ESP Tom Araya Signature Series 604FRX Electric Bass, Black Satin

Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head

(discontinued links to legacy page)

GK NEO-412 Cab

GK MB 115 Combo

https://www.gallien-krueger.com/mb-115-specs

DarkGlass Omega Photon Pedal/Interface

https://www.darkglass.com/creations/alpha-omega-photon/

iPad Pro

commentid 633faf4add3748003dd88f07 plaintext STUDIO GEAR

Instruments

Native Instruments Keyboard A49 with sustain pedal

Native Instruments Mikro MK3

Fender Blacktop Precision Bass 4-string

ESP TA-604 FRX Bass 4-string

Fender Precision Bass Standard 4-string

Gibson SG3 2019

Epiphone Less Paul

Yamaha Acoustic Guitar

Yamaha Classical Guitar

Washburn XB-500 Bass 5-string (discontinued no link)

Hardware

MacBook Pro 16inch

iMac

iPad Pro

iPhone

Darkglass Alpha Omega Photon Bass Compression/Distortion Pedal/Interface

Motu M4 Audio interface

iRig I/O Pro audio interface

iRig HD Audio interface

AKG C-3000 condenser microphone (Discontinued) links to replacement

Sure SM57 Dynamic Microphone

Sure SM58 Dynamic Microphone

AKG A660 Dynamic microphone

Dual LG 34 inch Ultrawide 4K monitors

IKMultimedia Uno Synth analog synth

Three Audio Technica Studio Over Ear Headphones

2 Sandisk 500GB SSD external drives

1 WD 1TB HDD Backup drive

Amps

Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head

GK NEO-412 Cab

GK MB 115 Combo

Orange ThunderVerb

Orange

Mesa Dual Rectifier

Ampeg SVT Classic Head

Ampeg SVT4 Pro Head

Software

Logic Pro (DAW)

Audacity

Adobe Audition

iZotope mastering suite

T-Racks

Amplitude 5 & 4

NI Komplete Kontrol

NI Maschine 2

NI Battery

NI Kontakt

NI Massive X

Audulus 3

Cloud Storage & Webhosting

Google Drive Workspace Unlimited

iCloud 2TB Storage

Adobe CC 1TB

LIVE GEAR

Fender Blacktop Precision 4-string

ESP Tom Araya Signature Series 604FRX Electric Bass, Black Satin

Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head

(discontinued links to legacy page)

GK NEO-412 Cab

GK MB 115 Combo

https://www.gallien-krueger.com/mb-115-specs

DarkGlass Omega Photon Pedal/Interface

https://www.darkglass.com/creations/alpha-omega-photon/

iPad Pro featureimage featured 0 type page status published locale visibility public emailrecipientfilter all createdat 2022-10-07T04:47:06.000Z updatedat 2022-10-07T04:48:29.000Z publishedat 2022-10-07T04:47:57.000Z customexcerpt List of gear used both LIVE and in Studio codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 633fb4f8dd3748003dd88f52 uuid 565c56c1-791a-49c8-af2d-b68103a3b2e1 title Random about me slug random-about-me mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[],“markups”:[],“sections”:[[1,“p”,[[0,[],0,“When I was a kid, I would steal my dad's cheap stereo Y microphone he used to record meetings. It was one microphone that split in two (left-right) like a letter Y. I would record myself playing a bass line, then split the Y mic hard left and right, and play the bass line back on a stereo with the left mic picking it up, and the other towards my bass amp the right mic as I would play another part.”]]],[1,“p”,[[0,[],0,“Then after having two basses recorded in stereo (id do this with guitars too) I would position the bass amp in the center of the Y mic with the stereo speakers positioned one on the left, and the other on the right. Each played back the bass lines I recorded. I would hook up a cheap Toys-R-Us drum machine through the bass amp centered in front of the split Y mic and play the drums along with the pre-recorded bass lines.”]]],[1,“p”,[[0,[],0,“–”]]],[1,“p”,[[0,[],0,“I would do this instead of riding my bike outside and playing in the sun like the normies (normal kids) of the day.”]]],[1,“p”,[[0,[],0,“–”]]],[1,“p”,[[0,[],0,“My parents (both Phycologists) thought I was crazy until I played the recordings in the car. I have those recordings still on cassette tape and will begin an archive project soon to preserve them digitally. But won't release them, they sound like shit. Haha”]]],[1,“p”,[[0,[],0,“–”]]],[1,“p”,[[0,[],0,“It was 1986, I was 10 years old….. and that's how it started.”]]]],“ghostVersion”:“4.0”} lexical html

When I was a kid, I would steal my dad's cheap stereo Y microphone he used to record meetings. It was one microphone that split in two (left-right) like a letter Y. I would record myself playing a bass line, then split the Y mic hard left and right, and play the bass line back on a stereo with the left mic picking it up, and the other towards my bass amp the right mic as I would play another part.

Then after having two basses recorded in stereo (id do this with guitars too) I would position the bass amp in the center of the Y mic with the stereo speakers positioned one on the left, and the other on the right. Each played back the bass lines I recorded. I would hook up a cheap Toys-R-Us drum machine through the bass amp centered in front of the split Y mic and play the drums along with the pre-recorded bass lines.

-

I would do this instead of riding my bike outside and playing in the sun like the normies (normal kids) of the day.

-

My parents (both Phycologists) thought I was crazy until I played the recordings in the car. I have those recordings still on cassette tape and will begin an archive project soon to preserve them digitally. But won't release them, they sound like shit. Haha

-

It was 1986, I was 10 years old….. and that's how it started.

comment_id 633fb4f8dd3748003dd88f52 plaintext When I was a kid, I would steal my dad's cheap stereo Y microphone he used to record meetings. It was one microphone that split in two (left-right) like a letter Y. I would record myself playing a bass line, then split the Y mic hard left and right, and play the bass line back on a stereo with the left mic picking it up, and the other towards my bass amp the right mic as I would play another part.

Then after having two basses recorded in stereo (id do this with guitars too) I would position the bass amp in the center of the Y mic with the stereo speakers positioned one on the left, and the other on the right. Each played back the bass lines I recorded. I would hook up a cheap Toys-R-Us drum machine through the bass amp centered in front of the split Y mic and play the drums along with the pre-recorded bass lines.

-

I would do this instead of riding my bike outside and playing in the sun like the normies (normal kids) of the day.

-

My parents (both Phycologists) thought I was crazy until I played the recordings in the car. I have those recordings still on cassette tape and will begin an archive project soon to preserve them digitally. But won't release them, they sound like shit. Haha

-

It was 1986, I was 10 years old….. and that's how it started. featureimage featured 0 type post status draft locale visibility members emailrecipientfilter all createdat 2022-10-07T05:11:20.000Z updatedat 2022-10-07T07:36:22.000Z publishedat 2022-10-07T05:15:31.000Z customexcerpt codeinjectionhead codeinjectionfoot customtemplate canonicalurl newsletterid id 633fe7dedd3748003dd88f74 uuid fab3782c-256d-4e9d-9de3-b018faee800c title Privacy Policy slug privacypolicy mobiledoc {“version”:“0.3.1”,“atoms”:[],“cards”:[[“html”,{“html”:”\n\n